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Artists Worth Checking Out indie music

DICI’s debut EP proves that age is not a reflection of talent

While this past year of COVID-19 and its resulting quarantine has prompted some serious reshuffling in the lives of many artists and musicians, 17 year old emerging rapper DICI took the time to be more creative and productive than ever.  Since he was out of school and free from his extracurricular lacrosse and weightlifting schedule, the multi-talented, Italian born (Milan) but Miami raised artist mastered his new Pro Tool rigs and began freestyling clever, incisive rhymes and whimsical, hard-hitting narratives.  These formed the foundation of the intuitive urban pop vibe he’s dropping publicly for the first time on his self-titled five track EP released on his own label, DICI Records, LLC.

Though his official rap influences are Eminem, Denzel Curry, Action Bronson and Mayhem Lauren, DICI says that it was a YouTube video by renowned producer Kenny Beats that fired him up and sparked the intense dedication that fueled this project.

During November 2019 he had gone to a friend’s house and learned how to make beats as well as the production side of making records.  Everything ground to a halt when COVID hit, and though he had plenty of free time, he just chilled out for months.

“By the end of July (2020), I was starting to feel restless,” DICI says. “Going through YouTube one day, I found the Kenny video.  He was talking about how before he was famous, he had locked himself in a room and worked all day long.  Everything was about work ethic.  It hit me that I’d wasted half the summer.  After I watched that clip, I literally dedicated 12 hours plus every day to music – waking up, doing music, going to sleep, on repeat.  I made a lot of progress on the tech front, too.  On the track ‘305-Interlude,’ which combines two different songs I wrote, I only used my computer and gaming headset.  I’d gotten Pro Tools in March and had learned it well enough to use it on the other four tracks of the DICI EP.”

The first track he created was “Bar for Bar,” which provides a master class in fusing a hypnotic, moody vibe, a densely percussive groove and a high spirited, clever rhyming freestyle all about having fun, cruisin’ and enjoying life.  It also comes with a clear mission statement of his plans for the future:  “Cruisin’ down the street with my new popped collah/I look like a scholar/And I got the gualla/So bitches they holla/They straight from Valhalla.  . .I’ve been cruisin’ in the whip going 30 tho/I’m with Johas that’s my bro/Ima keep on rapping to achieve my goals/And ease my soul…”

The other tracks on the EP include the energetic hype song and slightly dangerous joyride “4door” (“Hittin’ 200 I need more”), the ominous, psychopathic (probably fictional!) seduction “Vector” (which rhymes the title world with “Lecter,” among other things) and the aforementioned “305 INTERLUDE,” which is the dreamy, neo-soul respite from the percussive tracks, and also the most overtly sensual/sexual.

The EP was released in January and DICI has since released videos for three of the songs, including this one.

All of the videos were directed by Associated Press and Emmy winning director and cinematographer Brian Bayerl of Greendoor East Productions.  They are being promoted by The Syndicate.

The songs are quite explicit and not for the easily offended, but if you will listen carefully there is a lot of truth contained in his lyrics.  DICI has a unique cultural background (American dad, Japanese mom) and has completed numerous international trips, making him a true musical citizen of the world who can draw inspiration from a wide range of fascinating experiences.  The trilingual (Italian, Japanese, English) artist lived the first five years of his life in Milan, and though he’s been in Miami ever since, he’s traveled to Japan countless times and even went to school for a time in Tokyo.

The heavy Japanese cultural influence on his life inspired what he’s dubbing the EP’s “bonus track,” “Shibuya,” which features his witty, picturesque freestyle travelogue pinging off a jazzy rock vibe infused with traditional Eastern sonic touches.  When he raps, “I’m in heaven, feel like a God,” it’s no exaggeration.  He’s been there.  He’s felt it.

“I’ve always found satisfaction doing creative things and getting rewarded for it, and my rap career is no exception,” he says.  “My family has been super supportive of what I’m doing, and realizing that so many talented artists don’t have this kind of support makes me eager to use my future success to help others get started, including giving away free studio time and recording equipment to those who need it.  I enjoy reflecting on this crazy year, where so much seemed to happen by sheer coincidence to get me where I am right now – from recording on my headphone and X-Box to now.

“That YouTube video got everything rolling,” he adds, “and I am looking forward now to sharing my tracks with everyone. No one knows how 2021 will be for musicians and touring, but I hope to be out there performing and meeting new people very soon. In the meantime, I’m going to keep building my brand, creating new tracks and working with Giuseppe and keep releasing new music.”

 

Categories
Reviews Theatre Women in Entertainment

You will never forget ‘The Book of Us’

Missoula has had a great arts community for many years, and with the arrival of the Cadmium Company, that legacy will surely continue.  The newly-formed theater group is composed of University of Montana students and alumni.  Their current production is The Book of Us, a new play by local playwright and University of Wisconsin-Madison PhD student Joshua Kelly.

The play is wonderfully directed by recent UM MFA graduate Natasha Conti, who we reviewed during her amazing performance in The Madwoman of Chaillot at the University’s Masquer Theatre.

The play is being performed in the basement of a private residence which has been configured into a black box theater very similar to the Masquer, with audience members watching from both sides.

”The opportunity to do a boutique house show – and to bring Kelly’s second full-length play to life – was one that couldn’t be passed up,” Conti said.  “The intimate nature of a show on location means the audience members are literally inches away from the actors. There’s no room for pretense, and that kind of theatre is fascinating.”

The play  examines the relationship between a young writer, his steadfast boyfriend, and his intermittent girlfriend.  Zachary French turns in a Tony-worthy performance as Xavier, the young writer, who must re-evaluate the nature of his relationships with Jacob, played by Thain Bertin, and Hadley, played by Brit GarnerJasmine Sherman portrays Jacob’s sister, Jennifer, in a supporting role.

The performances of the ensemble are equally breathtaking, but it is the riveting performance of French that is truly memorable.  Nevertheless, every cast member truly shines in their respective roles, and as a result, the audience will have a treasure trove of amazing  moments to look back on.

Annika Hanson composed the music and does an outstanding job of playing background guitar, adding the perfect musical backdrop for the play.  Stage Manager Aaron Turner was likewise outstanding in his technical support.

The play continues at 8 p.m. on July 13 and 14.  Tonight is sold out but there are still tickets available for Saturday.  Tickets are a suggested $5 donation at the door, and reservations are available by emailing cadmiumcompany@gmail.com.  The lobby opens at 7:30 p.m. and seating begins at 7:45 p .m.  There is no late seating.

Audience discretion is advised as the play contains adult themes, language, and nudity.   Seating is limited so audience members are encouraged to reserve seats early.  You don’t want to miss this play.

Categories
Artists Worth Checking Out Reviews Women in Entertainment

Invest in the latest from Kanisha K

Kanisha K has been a favorite of this writer since she was first introduced to us by Ue3 Promotions in August 2014.  During that time, she has upped her skills, had her music placed in more and more stores across the country, and received media and critical attention, including nominations for several awards.  This writer has shared her music through several media outlets, including Examiner.com, AXS.com, and Indie Voice Blog, adding them to the list of media outlets that look forward to each new release.

Her new single, “Bet on Me,” should quickly rise up the charts after its release on Friday, February 17, 2017, and will be available on iTunes.  It was co-written and produced by Joe Vulpis, who has worked with the likes of Lady Gaga, Richie Blackmore and Jennifer Love Hewitt.

Having been a fan of her music for several years now, we can truly say that “Bet on Me” is the best song Kanisha has released to date.  This power ballad captures the amazing tone of her voice and provides the perfect vehicle to announce to the world that she has truly arrived and is a good bet for musical greatness.  We look forward to hearing this song on Top 40 radio.

“Bet On Me” continues the dynamic creative relationship between Kanisha and Vulpis that began in 2015 with the single “Oh Damn Yeah” (which was released to both Top 40 and CHR radio) and was mastered by Tom Coyne, who has worked on projects by Adele, Beyonce, Sam Smith, Taylor Swift, Pink and Ariana Grande.  The song also became popular during the Summer Olympics in Brazil.

“The song is about feeling like the underdog and asking the question, ‘If I were at my lowest point,’ would you still bet on me and take a chance on me?’” says the Holland, Michigan based pop singer.  “I wrote it in kind of a love song mode but am in a very different place in my life now, so I can embrace its much deeper meaning.  When we’re not at our best, are the people we love and count on going to be there for us through the hard times?  Who’s going to stick around and who is not?  I’m really proud of ‘Bet On Me.’  It’s a powerful and inspiring song and I love belting it out!”

We think that Kanisha K is a worthy investment.  We can hardly wait to hear the rest of the new music she is working on in Nashville with such veteran songwriters as Britton Cameron, Nathan Meckel and Jane Bach.  If it’s anything like her past work, then we think you the listener should heed Kanisha’s advise to “Bet on Me.”

 

Categories
Reviews

Cindy Alexander reveals her latest truth in ‘Deep Waters’

It has been said that the mark of a great songwriter is the ability to take their own personal story and convert it into a song that delivers that truth in a way that is universally understood.  If that be the case, then Cindy Alexander is one of the greatest songwriters ever, and her latest effort, Deep Waters, is the crown jewel in her songwriting career.

Alexander has previously delivered seven studio albums that showed us her angst, her frustration with the dating scene, her struggles with self acceptance, and her battle with and victory over breast cancer.  With the release of Deep Waters, she provides us with songs about the beauty of true love, and the culmination of her quest for it.

After working with producer and good friend Dave Darling (Boxing Gandhis, Meredith Brooks) for many years, this time out she partnered with acclaimed artist, writer and producer Colin Devlin, best known for his solo work and as half of leading Irish duo, The Devlins.

Needless to say, this change did not come without apprehension.  “When you’re scared to make a change you should do it anyway,” Alexander says, with the conviction of one who has faced her fear and come out the other side.  “You’re not given gifts to hold them back.”

Set up by Blue Élan Records founder/president Kirk Pasich, Alexander and Devlin went on the musical equivalent of a blind date.  “The first thing we were trying to do was see if these two strangers could create anything without having any rules or parameters about what we were going to say or how we were going to do it,” she says.  “I usually write all my own lyrics.  This time, there was someone else’s experiences and life coming in and adding more meaning and context into every song.”

The resulting partnership was a success, as reflected in the first track they wrote together, the turbulent title track, which talks about unreservedly abandoning oneself to another person.  “That’s the beautiful thing about art,” she says. “You can dive in and go to places that may be too scary to go to in real life.”

After hearing their first batch of songs, the label recognized their creative chemistry and asked for a full album.  Alexander ultimately wrote or co-wrote eight of the album’s 10 tracks.  She also does a stunning cover of Jann Arden’s “Good Mother.”

Every song on Deep Waters hits the mark and delivers what will surely be seen as a milestone in Alexander’s career.  Alexander sums it up well, “I feel like you can’t stop me now.  I’ve got this,” she says. “When you’ve experienced any kind of brush with your mortality, you want to thrive, not just survive.  The fact that I get to live my dream and make music for a living, I don’t take any of that for granted.”

Indie Voice Blog is proud to highly recommend Deep Waters as one of the best albums of 2016 and strongly encourage you to grab a copy of it when it is released on July 15.  If you’re lucky enough to live in the Los Angeles area, Alexander will be celebrating the release with a show at one of her favorite venues, Saint Rocke in Hermosa Beach on July 17.  Check out her website or Facebook pages for more details, and don’t forget to follow her on Twitter as well.

Thanks to publicist Melissa Dragich-Cordero of MADInk PR for providing the background material.

 

 

 

 

 

 

Categories
Fringe Shows

HFF16 – Day Seven (part 3)

The third show I attended on Friday was one that has been sold out the entire run of Fringe, A Whole Newd World – Cherry Tales at the Knock Shop, featuring the cabaresque stylings of Cherry Poppins Productions.

Newd

Created by the incredibly talented Alli Miller and Sarah Haworth, Cherry Poppins is so much more than just a burlesque troupe.  Every one of them are legitimate triple threats who can act, sing and dance.

Ali & Sarah

The show was wonderfully written and can best be described as an adult version of Into the Woods meets Disney on Broadway.  The multi-talented cast included Miller as Tinker Twat, Haworth as Lady Maleficience, Kelly Stevenson as Cherry Godmother, Heath Butler as Little RoHo, Rebecca Reaney as Evil YAS Queen, Brin Hamblin as Pocahottass, Megan Elise as Aerola, Madeleine Heil as Lady Reads a Lot, Tyler Olshansky as Lezmerelda, Taylor Baker as Hoe White, Shannon Glasgow as Purple Cat, Sabrina Moiseyev as Marachino Devile, Schoen Hodges as Prince Charming, Reagan Osbourne as Prince Not-so-Charming, Cory Robinson as Genie and Spencer Hayden as Russ Russ.

Cherries

There is not a weak moment in the show.  Every performer gave his or her all to the show, and made us believe in this magical place called the Knock Shop.  The featured songs gave these performers the chance to shine, and several of them truly knocked it out of the park, especially Hodges and Osbourne on “What Does the Fox Say.”

Come and see why this show is so popular .  . . and so damn good.  It was truly one of the best shows at HFF16, and the springboard to some of my best new fringeships.  Thanks so much to Miller and Haworth for making HFF16 my favorite year yet.

Although this show has ended its Fringe run, the ladies of Cherry Poppins can be seen every Wednesday night at Three Clubs, in addition to the remaining shows for Angels Flight on June 23 at 8:15 p.m. and June 25 at 8:30 p.m.