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Artists Worth Checking Out Reviews

Travelers’ Rest Festival – day 1 review (part 1)

One of my several jobs is working for a company called CMS to provide security for concerts.  As such, it was my privilege to work the entire Travelers’ Rest Festival, held for the second year at the Big Sky Brewing Company Amphitheatre in Missoula, Montana, and produced by the incredible team at Knitting Factory Entertainment.  The entire team was a joy to work with, especially my old friend, Mandi Zilner, the Marketing Director.

At the time the Festival began, I was only familiar with a couple of the 17 bands playing, but by the end of the weekend, I had gained some new musical loves, and reconnected to a voice from my childhood.

I got the perfect assignment, covering catering and the backstage gate, which was also located next to the Ponderosa Stage, giving me a bird’s eye view.  There were nine performances each day, four on the Ponderosa Stage and five on the Main Stage.  Once the music began at 3:30 p.m. each day, it never stopped until around 9 p.m., when there was a break while the crew prepared the Main Stage for the headliner, The Decemberists, who also curated the Festival and selected all the participating bands.

The first band to take the Ponderosa Stage was local Missoula band Rotgut Whines.  They turned in an impressive 30 minute set which got the Festival off to a great start.  This duo has an impressive pop rock sound that got the audience grooving and ready for the rest of the bands to come.  Although the band normally plays a few cover songs in their local shows, this set was all originals, and the crowd seemed very appreciative of the band.

The action then turned to the Main State, where Richmond, Virginia based artist Lucy Dacus was the first artist to play.  Dacus is signed to Matador Records, and from her performance it is easy to understand why she is considered one of Richmond’s treasures.  She is a brilliant guitar player, and her sound is reminiscent of artists like Ingrid Michaelson, Ali Handal and Cindy Alexander.  She played songs from her latest album, Historian, and has been touring North America in support of the album.  She turned in an impressive 45-minute set that stimulated the crowd, and added fuel to the fire that was started with Rotgun Whines‘ set.

Everything changed when Portland-based band Lenore took the Ponderosa Stage.  The standing room only crowd swelled until they could no longer fit underneath the stage’s shaded section, and still they came.   Composed of native Montanan Joy Pearson and Portland’s Rebecca Marie Miller on lead vocals, Edward Cameron on guitar and Jessie Dettwiler on cello, this band has a sound that works its way into your heart and your head and never leaves.  The harmonies are heavenly and exquisite, as is the combination of guitar and cello that forms the musical accompaniment.  Their 30 minute set went by way too fast, and the audience didn’t want to let them go.

The band also turned out to be super nice humans, as we spent a lot of time talking as they came and went backstage.  It was an honor to spend time with them, and they became my favorite discovery of the weekend.

The music returned to the Main Stage for one of the few acts I was familiar with before the Festival began.  I was fortunate enough to meet Sara Watkins back in 1999-2000 at Fan Fair in Nashville when she and her band Nickel Creek were just getting started, and attended several of their shows over the years, including the 25th Anniversary Show at The Wilma in 2014.  She has joined forces with two other bluegrass phenoms, Sarah Jarosz and Aoife O’Donovan to form I’m With Her, and this super-group is one of the best in the world.  They released their debut album this past February on Rounder Records.  Their 45-minute set was amazing, as their voices joined together as one instrument, meshed with their individual virtuosity on a multitude of stringed instruments, including fiddle, banjo, mandolin and guitar.  The perform in the traditional bluegrass way, gathered round a single microphone, which also adds to their unique harmony.

I also got to spend a lot of time with Sarah J and Aoife backstage, and met Aoife’s famly and Sara W’s nanny.  They were as nice off stage as they are incredible on it.

Returning to the Ponderosa Stage, the next performer was Matt the Electrician from Austin, Texas.  Matt is a folk rock singer-songwriter, with a similar style to artists like The White Buffalo and Joe Purdy.  He performed alone with his wife providing backing vocals.  Although a solo artist, he still filled the stage with his powerful stage presence and gave the packed structure a show they would not soon forget.  He is an artist that I am sure will soon become a household name, as his music is head and shoulders above many of his peers.  He is another artist I’m so glad I met because I truly loved his sound and his well-crafted songs.  I look forward to the chance to hear him again soon.  His most recent album, The Doubles, is available here.

I’ll be back later today with part 2 of our review of the first day of Travelers’ Rest.

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Artists Worth Checking Out Reviews

2017 River City Roots Festival (day 1) – live performance review

Twelve years ago the City of Missoula and the Missoula Downtown Association decided to do something special to welcome the returning and first time students at the University of Montana.  The event has grown every year, and now includes two days of family friendly fun in Caras Park with kid friendly bands, games and crafts, as well as an art show, food vendors, beer garden and, of course, quality bands on the Main Stage.

For the first time since we moved to Missoula, the event changed from Saturday and Sunday to Friday and Saturday.  Although we weren’t there to check it out, the music began at noon with a couple of bands featuring children.  First up were the representatives from the Tangled Tones Music program, Third Capo Kids and Satellite Jacket.  They were followed by the kids who had participated in the Zootown Arts Community Center Rock Camp Bands.

The adult bands started at 2:30 p.m. with local favorite Rotgut Whines, a two-piece rock and soul band featuring Evan Manuel on lead vocals and guitar and Andrew Murphy on drums and backing vocals.  Due to the massive problems with the sound, their set was difficult to understand and hear unless you were right in front of the stage.  They also had some questionable choices in covers, including a very bad attempt at Taylor Swift’s “Wildest Dreams.”  However, when they were on target, they connected well with the audience.  All in all, it seemed that despite their recent success, they were not yet ready for a festival appearance.

Next up was the jammin’ reggae of Taj Weekes and Adowa.  We have been long time reggae fans and haven’t seen much of it since our move.  The music of Taj Weekes and Adowa more than made up for that.  The sound problems that plagued Rotgun Whines continued for the first couple of songs, but were eventually fixed, allowing this amazing artist to shine.  Weekes’ vocals are nearly falsetto, and soared above the rhythmic grooves of his band, allowing the growing crowd the chance to participate in the Rastafarian way.  The crowd had a blast dancing to the music, and it swelled over the length of the set.  This set was one of the true highlights of the Festival.

The third slot of the day belonged to former country great Ryan Shupe and the Rubberband.  The band had a few country hits back in the early 2000’s when they were signed to Capitol Records.  If their set on this day was any indication, they still have a lot to contribute to today’s music scene.  They played their hits and most of their songs on their recent CD, which was released last year on Tydal Wave Records.

The new sound of the band is more akin to that of a country Beach Boys, with a healthy helping of rock.  Accompanying Shupe (fiddle and vocals) were Roger Archibald on guitar and vocals; Craig Miner on banjo, mandolin and vocals; Josh Larsen on bass and vocals; and Nate Young on drums and vocals.  The band even brought their amazing sound engineer, Dallan Rees, who kept the band sounding great all set long.  Among their songs were outstanding performances of “Hey Hey Hey,” “Brand New Shoes,” “The Sun Will Shine Again,” “He Knows Karate,” “Corn Dogs,” “Just Say Yes,” and “Take me Home.  They also did a stunning cover of Charlie Daniels’ “The Devil Went Down to Georgia,” incorporating a sample of Led Zeppelin’s “Kashmir.”  But the icing on the cake was their performance of one of their biggest hits, “Dream Big,” which included a ladies choir from the Jocko Valley Community Chorus, and a special “appearance” by the voice of Kermit the Frog on “The Rainbow Connection.”

Unbeknownst to me, my old friend Steve Garvan was managing Shupe.  It was a great chance to hang out with him and catch up.  So thankful to have people like Garvan helping to bring out the best from the indie music community.

The final performer of the night was John Jorgenson Bluegrass Band.  Jorgenson is considered to one of the fathers of modern bluegrass, and his songs have been covered by a myriad of artists, including Brad Paisley and Allison Krause.  Jorgenson provided a magnificent performance of his song, “Whiskey Lullaby,” which was recorded by Paisley and Krause.

I spent most of their performance working the merchandise booth as a volunteer for the Festival.  Even from there, the music was incredible and it was obvious that the crowd was enjoying the electricity created by these bands.  The only downside was that the headliner’s bluegrass sound did not have the same energy as Shupe, and the vibe fizzled as Jorgenson cut his set short.  It was still a great day of music, and helped to prepare the crowd for the awesomeness to come on Day 2.