Tag: Studio/Stage

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Artists Worth Checking Out Hollywood Fringe Festival indie music Monday Mashup Women in Entertainment

Monday mashup 2019: vol. 21 (updated)

We’ve reached Memorial Day, and the opportunity to remember those who have paid the ultimate sacrifice to keep us free and strong.  Never forget what they did to give us the chance to live our own lives.

It was another busy week, working for Trendsource, completing the tech and dress rehearsals for my solo show at the Hollywood Fringe Festival, Livin’ the Dream (a journalistic journey), and having the chance to see the latest masterpiece from the ladies and gentlemen of Cherry Poppins Productions.  They put on a masterful production of Clash of the Queens, which succinctly summed up the entire eight seasons of Game of Thrones, and sold out the Globe Theater in downtown LA in the process.

Speaking of my solo show, it’s hard to believe that my preview is less than two weeks away, with the entire Fringe kicking off with the Opening Party on June 12.  It’s going to be a great Fringe, and should be worthy of being the tenth year.  Please check out my show which will be at studio/stage (520 N. Western Avenue) on June 7 at 10 p.m., June 16 at 5:30 p.m., June 20 at 10 p.m., June 23 at 9 pm. and June 28 at 7 p.m.  Tickets are available on the Fringe website.

NEW SINGLES

Our first single this week comes from Toronto.  If you’re going to catch something, we suggest you catch The Black Fever.  We simply love the sound of “No Work” and recommend that you listen intently to the lyrics of the song.

Our next single is a killer remix that combines Monsta X, Steve Aoki and DVBBS.  The song is called “Play it Cool” and it is mega-hot and a sure-fire way to get the gang on the dance floor.  Request it from your favorite DJ.

Our third single is an incredible song from London-based Theo Bard entitled “The Gift.”  It truly is an amazing electronic song with incredible vocals and well-crafted lyrics.  This one is a definite keeper.

Our next single combines electronica with jazz and pop and highlights the talent of the amazing KYOSi on her track, “Boo Radley.”  We think this one will become your favorite dance track.

Our final single this week is from the upcoming album Fuel the Crazy by Brazilian-born electro-pop artist Carvi.  We are totally digging on her “Vibe.”

NEW MUSIC VIDEOS

Our first video this week is from teen sensation Maddie Rose, who delivers a stunning video for her song “Liv Tyler.”  This one is going on repeat and we think you’ll love it.

Next up is a video shot in Los Angeles by Trapdoor Social for their song, “The Move.”  The song is amazing, as is the video.  Be part of the solution and join in “The Move.”

Next up are the powerful vocals of Dejhare on her video for “Trust my Love,” which remind us of Madonna’s True Blue album.  We think this one is stunning and look forward to seeing what she does next.

Our next video comes from New York-based band Wild Planes.  Put on your rocking shoes and enjoy their latest single “Money.”

Our final video this week is from Aly and AJ, who we last heard from when their song ‘Church” was included in our March edition of Ten Great Singles.  They’re back with a beautiful video for their song “Don’t go Changing,” which could easily be a Top 40 hit.

 

 

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Reviews See it or Skip it Theatre

The legend of Harry Potter lives on Nineteen Years Later

We never seem to get enough of the “boy who lived,” and the M&W Theater Group has crafted a masterpiece that will enthrall every Potter fan.  This is the third time this amazing work has been run since it began last year at HFF18, and the cast is perfectly suited to make the tradition continue.

Incredibly well-written by Kena Worthen (who also portrays Rose Granger-Weasley), Nineteen Years Later is an alternative (and more believable) sequel to the original, and is everything that “Cursed Child” is not.  If you’re like most Potter fans, you detest the stupidity of the “Cursed Child.”  Rest assured you now have a story that works, is much more plausible, and will keep you cheering as the legend lives on.

The only drawback is its length (nearly two and a half hours), but if you can survive Avengers: Endgame, then this one is a piece of cake.  We can promise you that you will be so engaged in this one that the time will fly by and you will never be bored.

The lighting design of Greg Crafts perfectly fits with the sound design of Graydon Schlichter, and the show is well controlled by stage manager Lizzy Hayes.

The cast was led by Frankie Zabilka (Albus Potter), Ryan Lefton (Scorpius Malfoy), Andrew Thomas (Harry Potter), Michael Lutheran (Ron Weasley), Kyle Maraglio (Draco Malfoy), Michelle Grey (Hermione Granger-Weasley) and Justin  Eliot Huff (Neville Longbottom), who brought their individual characters to life as if they’d been portraying them for their entire careers.  The villains were admirably portrayed by Erin Astin (Keres McGuffin) and Tianna Cohen (Cecilia Sinclaire), who almost made you love them as much as the good guys.  Zion Bell (James Potter) Malissa Marlow (Ginny Potter/McGonagall), Tiffany Bobbs (Stella Towie), Ayla Dumont (Lily Potter), Rob Hixon (Frank Longbottom), Bella Phillips (Julianne Rycroft), Jade Rosenberg (Kaylin Blackwell), and Rachel Strysik (Kendall Betcher) rounded out the magnificent cast.

Without giving away the story, suffice it to say that this one is truly worthy of the JK Rowling “Stamp of Approval,” and has great inside jokes to anyone who has seen all of the movies.  They even entertain us with a great game of trivia during the intermission.  This one is worthy of multiple viewings.  Unfortunately, the final performance is TODAY at 5:30 p.m., so grab your tickets before they sell out.  You can purchase a ticket here.

 

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Artists Worth Checking Out indie music Monday Mashup Women in Entertainment

Monday mashup 2019: vol. 16

Happy Earth Day.  It’s our final Monday Mashup from Montana, as we head down to California on Saturday.  We will be in Los Angeles until the end of June as yours truly presents his first solo show at the Hollywood Fringe Festival entitled Livin’ the Dream (a journalistic journey).  The preview is scheduled for June 7, with shows to follow on June 16, 20, 23 and 28 at studio/stage (520 N. Western Avenue).  We look forward to this new adventure.  Click on the link for more info.

PLEASE NOTE THAT, EFFECTIVE IMMEDIATELY, AND DUE TO OUR CURRENT COMMITMENTS, WE MUST TEMPORARILY SUSPEND  ACCEPTING REVIEW SUBMISSIONS FOR ALBUMS SCHEDULED FOR RELEASE BEFORE JUNE 1.

We have quite the backlog of current release requests that need to be completed before May 31, the end of the current cycle for the LA Music Critic Awards.  Once we get caught up and complete those currently in our possession, we will let you know we are ready to again begin accepting all submissions.

NEW SINGLES

Our first single this week comes from Holly Tucker, a Top 6 finalist on NBC’s The Voice (Team Blake).  The song is sweet and pure and should get your week off to a sober start.  Check out “Country Music Won’t Let Me.”

Next up is a band with a similar sound to Maroon 5, and we totally dig it.  Here is indie-pop band Del Pelson and their latest single, “Oak.”

Our third single comes from one of our favorite international indie artists Zsuzsika Lencses, a past LA Music Critic Award nominee.  We love her soaring vocals, the retro dance beat and the incredible keys on “Storm.”  This one is guaranteed to get  you on the dance floor.

Our fourth single is hauntingly beautiful, with soaring vocals and perfectly written lyrics that paint incredibly vivid word pictures.  Check out “Looking for God” (I am Snow Angel remix) from the stunning Coyote Eyes.

We close out this week with the perfect hip-hop/R&B sound of Aussie wordsmith Stefan Rossi.  His single “Long Road” features the sweet voice of Kenyan Elsy Wameyo, and we can’t imagine a better collaboration.

NEW MUSIC VIDEOS

Our first music video is an alt-rock gem from Italian duo Soaware, expressing their desire that “We Shall be One.”  Rock out to this one and let’s bring this request to reality.

Our next song is definitely a candidate for Song of the Year.  It has already been used on Grey’s Anatomy and The Good Doctor, and we simply love this video that drives its message home.  Here is BANNERS and their mega-hit “Got it in You.”

Our third video is from one of our favorite Glee actors, Kevin McHale.  The video features a special cameo from Modern Family‘s Nolan Gould and is set in the world of virtual reality.  Check out “Help me Now.”

Check out the amazing vocal harmonies from Aly & AJ in their latest music video for their song, “Church.”  This is one of the best songs we have heard this year and should be blowing up your radio.

We close out this week’s videos with a look at the way society treats women, when Swedish band Girl Crush delivers their iconic “Blame Girls,” released on International Woman’s Day.  Think about this one as you jam to their sweet sound.

 

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Artists Worth Checking Out Hollywood Fringe Festival indie music Monday Mashup Women in Entertainment

Monday mashup 2019: vol. 15

Happy tax day!  Two weeks from today we’ll be in Los Angeles to begin rehearsals for my solo show, Livin’ the Dream (a journalistic journey).  We open on June 7 at studio/stage in Hollywood, and will be doing five performances during the month of June.  If you believe in the arts, and want to help us put on this show, please visit our fundraiser page at GoFundMe and donate.  Thanks.

We are also making our final preparations for the third annual LA Music Critic Award Winners Showcase on June 18 at The Mint LA.  Tickets are on sale now at the venue website, as well as through PayPal.  If you want to purchase tickets through PayPal, use lamusiccritic@yahoo.com as the payee and indicate how many tickets you want.  The cost is just $10 per ticket.  Please help us showcase these amazing indie artists and raise funds for the Sweet Relief Musicians Fund.

NEW SINGLES

Our first single this week comes from LA Music Critic Award winning country trio Southern Halo, who has been featured on numerous occasions in this blog.  We simply love their new single, which truly sets the stage for summer.  Give it up for these three young ladies, who are bringing us the “Sunshine.”

Next up is a band from Stockholm that will put you in a party mood, even though the words are nothing to laugh about.  The sound is so infectious and upbeat that you will enjoy it, even though it’s about sadness.  Check out “Cryin’ (such a disgrace)” from Delsbo Beach Club.

Our third single is the title track to the new album by Field Guide.  It’s called “Full Time,” and we think it demonstrates that this artist is ready for prime time.  We love the accompaniment and the honesty and integrity of the lyrics.  Enjoy it.

https://soundcloud.com/user-574887665/full-time-master

Next up is the sweet simple acoustic stylings of Hong Kong born singer-songwriter Allman Brown.  This artist has a perfect radio-friendly sound and we think he is on his way to the top of the charts.  Check out his single, “Lonely Hearts, Los Angeles,” and you’ll see what we mean.

Our final single this week is from the ever-impressive Jess Ribeiro, who consistently delivers quality music.  This is from her recently released album LOVE HATE, and describes her love/hate relationship with “Dylan.”  We’re sure you can relate.

NEW MUSIC VIDEOS

Our first video this week comes from Broadway legend Eden Espinosa (Wicked), and is an incredible video for her single “Bed for 2.”  Her voice is electric and her songwriting is some of the best we have heard this year.  Enjoy this one – we think she’ll be riding the top of the charts in no time.

We think our next video, “Ring Ring” will definitely get you up and ready for the dance floor.  We love the sound of Nikki Paige, and were impressed that she has been a paid songwriter since the age of 11!  Let us know what you think about her.

Our next video is a well-shot film for the latest from Taveeta, “Chasing Feelings.”  She has an amazing voice and and hip-hop/R&B sense of style to her sound.

Our next video is the perfect segue and features R&B artist Àkin.  Check out the smooth sound of “Green Light,” with just the right amount of reggae goodness to take it over the top.

We close out this week with a beautiful remake of the classic Minnie Ripperton song “Loving You.”  We think T’Melle has the perfect voice for the song, and captures it perfectly.

 

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Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Theatre Women in Entertainment

HFF18 day 11 – see it or skip it

Hard to believe that our annual Fringe experience is rapidly drawing to a close.  It has been a whirlwind two weeks, and we have loved every second of it.  We even found some time to take in another movie yesterday, checking out Hotel Artemis before heading off for another night of Fringe fun.

Our first stop was Studio/Stage for the highly anticipated Esther Mira show, With my Eyes Shut.

TITLE OF SHOW:  With my Eyes Shut

VENUE:  Studio/Stage

REVIEW:  In the past two years, Esther Mira has impressed us with her abilities and acting, and become a good friend.  In this production, she was able to more fully show her multiple skills, and we found ourselves carried away by the sheer beauty of her performance.  This was a most amazing production, and showed autism in a very positive light.  Not only was Mira brilliant, but her director Tara Donovan stepped in and assumed one of the roles.  Craig Shields, who doubled as the music director, continued his outstanding portrayal of Cole.  The music and dancing were first rate, and moved the story along nicely.  It was so easy to get swept up in this show,, which is definitely one of the best productions of HFF18.  This one deserves recognition at the awards, and another run.

RECOMMENDATION:  Unfortunately, this was the closing performance, and Mira is on her way to Europe for a vacation.  Hopefully they will earn an extension so that everyone will be able to see this masterpiece upon Mira’s return.

TITLE OF SHOW:  Charlotte’s World or the Lone Terrarium

VENUE:  Theatre of NOTE

REVIEW:  During the Fringe’s first few years, the Theatre of NOTE was one of its central venues, and the place where Kimleigh Smith took the Fringe by storm with her amazing T-O-T-A-L-L-Y, winning three of the top awards at the 2011 Fringe.  Since then, the venue line-ups have not been as strong, and we have not attended a show there in the past two years.  Fiona Lakeland, who brought us the amazing show Stranded, reached out and invited us to her new show, and we are so glad we said yes.  Like her previous show, this one was another work of art, encompassing beauty, belief and child-like faith in the story of Charlotte and her desire to fly.  Lakeland’s performance was breathtaking, and we were quickly caught up into Charlotte’s World.   We really love the closing rhymes she so skillfully constructed, which left us with a surplus of faith in our own abilities to accomplish our dreams.  Well done!

RECOMMENDATION:  The show has one more performance, and we highly recommend that you see it on June 23 at 3 p.m.  You will not be sorry.  Get your tickets here.

After the show, we returned to the Plunge at the Broadwater for a few drinks and the chance to mingle with our fringeships.  It was a fun night which resulted in getting an invite to see The Runaway Clone today, a show which we had really wanted to see.  In addition, we got the chance to meet the owner of the bar, Patrick Duffy (who played Bobby Ewing on Dallas).  Duffy is from Montana, so we had a lot to talk about.  He is an amazing man, and we were big fans back in the day.  We wish him and the bar much success.

 

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Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Women in Entertainment

HFF18 day 5 – see it or skip it

We got a slow start yesterday after closing down Three Clubs with the Cherries after a raucous performance of Doctor Nympho vs. The Sex Zombies.  It was great spending time with Sarah Haworth, Schoen Hodges, Alli Miller, Michael Shaw Fisher, Brin Hamblin, Kelly Stevenson and Cory Robinson, as well as the amazing Sarah Chaney, who had been in the cast of Doomsday Cabaret.

Before you know it, it was time to head back for another great night of Fringing, and we had planned to see five shows.  While reviewing our schedule, it occurred to us that we had neglected to schedule one of the shows we really wanted to see, so we had to make some last minute changes to the schedule, which made for a much better night.  Our first stop remained the same, and our evening began at The Broadwater Studio.

TITLE OF SHOW:  Balls’On

VENUE:  The Broadwater Studio

REVIEW:   Katt Balsan is half Russian and Iranian on her mother’s side and French on her father’s side, which gave her an interesting look – exotic muscles.  While she looks like a bodybuilder, she explained that it was all genetics.  Her show took us from her humble roots in France to her current home in Los Angeles, as told through 25 very interesting characters, including several of the Fates.  It was a most original and creative way to explain her life, and the audience loved it.  We were honored to be joined at the show by the Queen of the Solo Show, Jessica Lynn Johnson, as well as one of the premier finds of this year’s Fringe, Lanessa Long.  The packed venue gave Balsan all the energy she needed to turn in a wonderful performance, making us very glad we had chosen to attend her show.  Balsan herself is a ball of energy, and that energy washed over the audience like a tidal wave, completing the circle.  She dedicated the show to her director, the late, great Gary Austin, the founder and original director of The Groundlings, and we are sure he was pleased as well.

RECOMMENDATION:  If you need a quick pick-me-up, then we highly recommend you fit this show into your schedule.  You can still catch her final performance on June 22 at 5 p.m.  You can purchase tickets here.

TITLE OF SHOW:  Glitch

VENUE:  The Broadwater Studio

REVIEW:   We were unprepared for this intense show about mass shootings in our schools.  The premise and story were timely, in light of the outrage over recent occurrences, but the cast seemed likewise unprepared to turn that outrage into a memorable show that would spark change.  The premise was there – a reporter interviewing a young man convicted of killing kids and teachers at his former high school, but they delivered nothing more than a clichéd attempt at portraying these characters.  We were joined at the show by Michael Shaw Fisher, and had the chance to discuss the show afterward.  We both agreed that it would have been better if the reporter had started out neutral and then slowly emerged as outraged, while the cold, calculating criminal needed to have more “mood swings” as he attempted to explain how everything came to pass.  Like The Dangerous Cures of Dr. B, this show left its audience in a daze, as they ran out of the theater looking for escape from the reality of the show’s material.

RECOMMENDATION:  The show could be a powerful tool, but it seriously needs some attention to detail.  It ran over and was too long.  If they fix those problems, then it would be worthwhile.  In the meantime, you should probably skip it.

TITLE OF SHOW:  The Women of Lockerbie

VENUE:  Studio/Stage

REVIEW:   After the previous show, we were in need of some beauty and magic, and we found it in spades in this glorious production.  Wonderfully directed by Jim Blanchette, the story is about closure, and the continued hope that good will overcome evil.  It is set in the hills of Lockerbie, Scotland, where one of the greatest disasters in aviation occurred as 270 souls lost their lives in the terrorist explosion of Pan Am Flight 103.  Leah Verrill, who portrayed the distraught mother, Maddie Livingston, led an amazing cast that included Alan Heitz as her husband Bill, Lisa K. Wyatt as the stalwart Olive Allison, Lize Fenning and Liesl Jackson as her two friends, Ed Ackerman as the American bureaucrat George Jones and Eloise Coopersmith as the well-meaning custodian Hattie.  The show is presented as a Greek tragedy, and very skillfully designed and executed.  It brought us, and we’re sure other audience members, to tears, and is the best thing we have seen at Fringe thus far, truly worthy of the Top of the Fringe award.

RECOMMENDATION:  You simply MUST see this one.  Do whatever it takes to secure tickets to one of the remaining shows on June 17 at 9:30 p.m. or June 20 at 9 p.m.  You can purchase your tickets here.

TITLE OF SHOW:  Met Again

VENUE:  Studio/Stage

REVIEW:   Met Again is the latest in a string of hits that Theater Unleashed has mounted at Fringe.  This show had everything a great Fringe show needs – amazing acting, a compelling story, and a stellar audience, which included my friend and fellow critic Tracey Paleo of Gia on the Move. Julia Plostnieks and Michael Lutheran turned in Tony Award worthy performances as the central characters, and were supported by the likewise stellar acting of Megan Duquette and Graydon Schlichter.  This play showed the power of love as it told the story of a couple that went through a lot of ups and downs during their journey through life and death.  It was beautiful, bittersweet, and gave us hope that we could all find a love like these two shared.  Plostnieks is one of the most talented actresses to ever grace the stage at Fringe, and has consistently turned in amazing performances, especially during [title of show].  She surpassed her previous performances with this one, and is worthy of Best Actress, were such an award given at Fringe.  The pairing of this show with Women of Lockerbie was genius, and gave us a beautiful feeling to end the night.

RECOMMENDATION:  Don’t even think about it – this one is a MUST SEE.  Make your plans NOW to attend one of their remaining performances on June 20 at 7:30 p.m. and June 23 at 5 p.m.  Grab your tickets TODAY by clicking here.

Our evening didn’t end there, as we headed back over to Three Clubs to close out the night with the rollicking fun of Cherryoke.  What a fun time, and the hostess was none other than Taylor Baker of Cherry Poppins.  What a fun time was had by all, with amazing performances by such Fringe luminaries as Michael Shaw Fisher, David Haverty, Victoria Watson, and Reagan Osborne, among others.

We’ll be packing in nine shows on Saturday and another five on Sunday, so we won’t be posting any reviews until Monday.  Have a wonderful Father’s Day weekend.  Hope to see you out and about the Fringe.

 

 

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Fringe Shows Hollywood Fringe Festival Theatre Women in Entertainment

Our favorite shows at HFF17

Well, the 2017 Hollywood Fringe Festival is in the books, and what a magnificent event it was this year.  There were 375 shows and more than 2,000 performances during the 17-day run, and we had the privilege of seeing 37 of those shows during our short nine days in Los Angeles.  Here are our top 10 shows.

10.  The Rise and Fall of Dracula.  This was our first exposure to immersive theater, and we thoroughly enjoyed the experience.  The show was wonderful created by Cassandra Ambe, perfectly executed by her cast, and was a true feast for the audience.

9.  Under the Jello Mold.  Jennie Fahn is the consummate performer, who brought this story to life under the expert directorship of Tom Cavanaugh.  The story was so moving that my wife immediately texted her mom as soon as we left the theater.

8.  The Spidey Project.  Theatre Unleased outdid themselves again, and both of their productions made it into our Top 10 list.  We loved the songs, the performances and the cast of this show, which brought this origin story new life.  Well done!

7.  Three Can Keep a Secret.  The other Theatre Unleashed production, which was even more fun because of the audience interaction.  Great job of playwriting Mr. Crafts.  Perfectly casted and well done.

6.  Hey Hollywood My Hustle Has ADHD.  Rasika Mathur was amazing in this delightful show about coming to terms with a particular brand of mental illness that I am all too conscious of.  We laughed and cried at her dramatic show, and the fringeship that came of it.

5.  The Girl Who Jumped Off the Hollywood Sign.  This show did not disappoint from the hype and buzz we heard, and we were extremely glad that we got to see it.  It was historically accurate and the amazing voice of Joanne Hartstone was a joy to our ears.  Thanks for coming from ‘down under’ to bring your magic to this year’s fringe.

4.  Chemo Barbie.  No previous fringe show has ever moved me the way this one did.  Hats off to Heather Keller for her amazing courage in sharing this very fresh story with us, and for giving us the inspiration to make each day our best day.  This is what Fringe is all about.

3.  Shakeslesque.  What else can be said about the amazing ladies (and gents) of Cherry Poppins?  Alli Miller and Sarah Haworth Hodges have assembled the cream of the crop and have once again delivered a memorable and joyous good time.  It was so beautiful to see them get the recognition they deserved with their two Freak awards for Best Cabaret and Top of the Fringe.

2.  Turbulence.  Speaking of amazing, how about those guys and girls at Robot Teammate?  For the second year in a row, they have delivered a stunning original musical that has made even the local music scene stand up and take notice.  Congrats on your numerous awards, including Best Musical.

1.  Mexistani.  Sofie Khan is amazing, both as an actress and a person.  Her show demonstrated that we still have a long way to go towards acceptance of people, especially those of mixed heritage.  But if nothing else, her show gave us hope that with people like Sofie leading the charge, we have a great chance of getting there.

We also wanted to give kudos to two venues that went out of their way to make Fringe special – Studio/Stage and Sacred Fools.  Even though they were “off the beaten path, Studio/Stage’s amazing line-up of shows made it easy to schedule and spend a block of time at the venue.  Sacred Fools made sure that patrons were well taken care of, proving free water and snow cones to help alleviate the heat.  Hats off to both of you!

Last but not least, that you to the participants, to the new fringeships from this year and the renewed ones from previous years.  You make Fringe the special place that it is, and the reason we drive 3,000 miles every year to be a part of it.