Tag: Three Clubs

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Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Women in Entertainment

HFF18 day 5 – see it or skip it

We got a slow start yesterday after closing down Three Clubs with the Cherries after a raucous performance of Doctor Nympho vs. The Sex Zombies.  It was great spending time with Sarah Haworth, Schoen Hodges, Alli Miller, Michael Shaw Fisher, Brin Hamblin, Kelly Stevenson and Cory Robinson, as well as the amazing Sarah Chaney, who had been in the cast of Doomsday Cabaret.

Before you know it, it was time to head back for another great night of Fringing, and we had planned to see five shows.  While reviewing our schedule, it occurred to us that we had neglected to schedule one of the shows we really wanted to see, so we had to make some last minute changes to the schedule, which made for a much better night.  Our first stop remained the same, and our evening began at The Broadwater Studio.

TITLE OF SHOW:  Balls’On

VENUE:  The Broadwater Studio

REVIEW:   Katt Balsan is half Russian and Iranian on her mother’s side and French on her father’s side, which gave her an interesting look – exotic muscles.  While she looks like a bodybuilder, she explained that it was all genetics.  Her show took us from her humble roots in France to her current home in Los Angeles, as told through 25 very interesting characters, including several of the Fates.  It was a most original and creative way to explain her life, and the audience loved it.  We were honored to be joined at the show by the Queen of the Solo Show, Jessica Lynn Johnson, as well as one of the premier finds of this year’s Fringe, Lanessa Long.  The packed venue gave Balsan all the energy she needed to turn in a wonderful performance, making us very glad we had chosen to attend her show.  Balsan herself is a ball of energy, and that energy washed over the audience like a tidal wave, completing the circle.  She dedicated the show to her director, the late, great Gary Austin, the founder and original director of The Groundlings, and we are sure he was pleased as well.

RECOMMENDATION:  If you need a quick pick-me-up, then we highly recommend you fit this show into your schedule.  You can still catch her final performance on June 22 at 5 p.m.  You can purchase tickets here.

TITLE OF SHOW:  Glitch

VENUE:  The Broadwater Studio

REVIEW:   We were unprepared for this intense show about mass shootings in our schools.  The premise and story were timely, in light of the outrage over recent occurrences, but the cast seemed likewise unprepared to turn that outrage into a memorable show that would spark change.  The premise was there – a reporter interviewing a young man convicted of killing kids and teachers at his former high school, but they delivered nothing more than a clichéd attempt at portraying these characters.  We were joined at the show by Michael Shaw Fisher, and had the chance to discuss the show afterward.  We both agreed that it would have been better if the reporter had started out neutral and then slowly emerged as outraged, while the cold, calculating criminal needed to have more “mood swings” as he attempted to explain how everything came to pass.  Like The Dangerous Cures of Dr. B, this show left its audience in a daze, as they ran out of the theater looking for escape from the reality of the show’s material.

RECOMMENDATION:  The show could be a powerful tool, but it seriously needs some attention to detail.  It ran over and was too long.  If they fix those problems, then it would be worthwhile.  In the meantime, you should probably skip it.

TITLE OF SHOW:  The Women of Lockerbie

VENUE:  Studio/Stage

REVIEW:   After the previous show, we were in need of some beauty and magic, and we found it in spades in this glorious production.  Wonderfully directed by Jim Blanchette, the story is about closure, and the continued hope that good will overcome evil.  It is set in the hills of Lockerbie, Scotland, where one of the greatest disasters in aviation occurred as 270 souls lost their lives in the terrorist explosion of Pan Am Flight 103.  Leah Verrill, who portrayed the distraught mother, Maddie Livingston, led an amazing cast that included Alan Heitz as her husband Bill, Lisa K. Wyatt as the stalwart Olive Allison, Lize Fenning and Liesl Jackson as her two friends, Ed Ackerman as the American bureaucrat George Jones and Eloise Coopersmith as the well-meaning custodian Hattie.  The show is presented as a Greek tragedy, and very skillfully designed and executed.  It brought us, and we’re sure other audience members, to tears, and is the best thing we have seen at Fringe thus far, truly worthy of the Top of the Fringe award.

RECOMMENDATION:  You simply MUST see this one.  Do whatever it takes to secure tickets to one of the remaining shows on June 17 at 9:30 p.m. or June 20 at 9 p.m.  You can purchase your tickets here.

TITLE OF SHOW:  Met Again

VENUE:  Studio/Stage

REVIEW:   Met Again is the latest in a string of hits that Theater Unleashed has mounted at Fringe.  This show had everything a great Fringe show needs – amazing acting, a compelling story, and a stellar audience, which included my friend and fellow critic Tracey Paleo of Gia on the Move. Julia Plostnieks and Michael Lutheran turned in Tony Award worthy performances as the central characters, and were supported by the likewise stellar acting of Megan Duquette and Graydon Schlichter.  This play showed the power of love as it told the story of a couple that went through a lot of ups and downs during their journey through life and death.  It was beautiful, bittersweet, and gave us hope that we could all find a love like these two shared.  Plostnieks is one of the most talented actresses to ever grace the stage at Fringe, and has consistently turned in amazing performances, especially during [title of show].  She surpassed her previous performances with this one, and is worthy of Best Actress, were such an award given at Fringe.  The pairing of this show with Women of Lockerbie was genius, and gave us a beautiful feeling to end the night.

RECOMMENDATION:  Don’t even think about it – this one is a MUST SEE.  Make your plans NOW to attend one of their remaining performances on June 20 at 7:30 p.m. and June 23 at 5 p.m.  Grab your tickets TODAY by clicking here.

Our evening didn’t end there, as we headed back over to Three Clubs to close out the night with the rollicking fun of Cherryoke.  What a fun time, and the hostess was none other than Taylor Baker of Cherry Poppins.  What a fun time was had by all, with amazing performances by such Fringe luminaries as Michael Shaw Fisher, David Haverty, Victoria Watson, and Reagan Osborne, among others.

We’ll be packing in nine shows on Saturday and another five on Sunday, so we won’t be posting any reviews until Monday.  Have a wonderful Father’s Day weekend.  Hope to see you out and about the Fringe.

 

 

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Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Women in Entertainment

HFF18 day 4 – see it or skip it (part 2)

Our final show for Thursday was our most anticipated one at this year’s Fringe – the marriage of Orgasmico Theatre Co and Cherry Poppins.  Here’s the low down.

TITLE OF SHOW:  Doctor Nympho vs. The Sex Zombies

VENUE:  Three Clubs

REVIEW:   When we found out that Michael Shaw Fisher was writing a rock musical for this year’s Fringe, we were excited, and when we realized it would be done by the Cherry Poppins crew, we were over the moon.  The five year wait (since 2013’s Exorcistic) was worth it, as this show is a masterpiece from start to finish.

We still remember the way we felt when we first saw Doomsday Cabaret, and the feeling was back on the first note of Doctor Nympho.  Director Sarah Haworth brought out every nuance of Fisher’s amazing music and book, and the over-packed venue responded enthusiastically.

The story line about a virus that turns people into sex zombies was wonderfully laid out and brought to reality by the amazing members of Cherry Poppins, including the central cast of Alli Miller as Dr. Nympho, Fisher as her husband, with Kim Dalton and Kristyn Evelyn as their children.  Haworth led the sex zombies, joined by Amber Braken, Reagan Osborne, Cory Robinson, Meredith Lim and Lauren Avon.  They were ably supported by Jeff Sumner as Jerry, Rebecca Reaney as Dr. Shatz, Shannon Glasgow as Stacy, Schoen Hodges as Adam and Sarah Wines as Eve, with special dance appearances by Taylor Baker as Poet and Brin Hamblin as Virus.

Of course, what would a rock musical be without a killer band, and this one was truly amazing, led by Sandy Chao Wong.  She was joined by Krishnan Swamiathan on bass, Ludvig Brathan and Kenny Echizen on guitar and Tim McIntyre and Dennis Nilsson on drums.

Very special kudos to the choreography team of Hamblin, Reaney, Haworth and Miller, who somehow managed to keep this huge cast dancing and performing on the venue’s postage stamp sized stage, without any major incidents.  It was an incredibly thing of beauty to watch this amazing cast dance, sing and act, and we left the venue feeling just as good as we did the first (and the 12th) time we saw Doomsday Cabaret.

RECOMMENDATION:  If you only see one Fringe show, then this had better be it.  But be forewarned – it will SELL OUT, so make our plans to attend the remaining performances on June 16 at 5 p.m., June 21 at 7 p.m. and June 23 at 11 p.m.  You can purchase tickets here.

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Hollywood Fringe Festival See it or Skip it Theatre Women in Entertainment

HFF18 day 1 – see it or skip it

After 17 hours of driving, and an overnight stay in Las Vegas, we arrived in Los Angeles mid afternoon.  Our first show wasn’t until 7 p.m., so we had time to visit with friends, get situated at the airBNB and clean up before heading into Hollywood for our first night of fringing.

Our first stop was the newly opened Hobgoblin Playhouse (6520 Hollywood Boulevard), managed by the stellar team of Greg Crafts and Jenn Scuderi Crafts, who also manage Studio/Stage.  It was great to catch up with them pre-show, and to hear the back story about our first show of #HFF18, which was written and performed by Laura Jo Trexler.

Once they got the contract to manage the space, they discovered this beautiful grand piano inside.  They called Trexler to come and tune the piano.  During the session, she mentioned that she had written a one-woman show and asked if they knew where she could perform it.  Obviously, the response was “At the Fringe,” and the rest, they say, is history.

TITLE OF SHOW:  Play On!  A Musical Romp with Shakespeare’s Heroines

VENUE:  The Hobgoblin Playhouse

REVIEW: Trexler is incredible, both as an actress and musician.  The songs she has so skillfully created depict the true character of each of these legendary women as written about by William Shakespeare, including Juliet, Rosalind, Ophelia, Olivia, Beatrice, Viola, Adriana, Lady M, Gertrude, and the Dark Lady,   The production was in every way imaginable just perfect, and set the bar extremely high for this year’s Fringe.  Greg Crafts did an admirable job stepping in for the stage manager, who was under the weather, and perfectly executed the lighting plan.  Trexler’s performance had all that you would expect from a Broadway show, with just the right amount of theatricality added to the songs to make them come alive and memorable.  She even had recorded a soundtrack of the songs, and made the CD available for her patrons at a “pay what you can” price.  This was definitely the way to start our 2018 Fringe Experience.  Welcome to the Fringe, Laura Jo!  We’re so glad we found you.

RECOMMENDATION:  This one is a no-brainer.  You simply must see this show, especially if you love music and Shakespeare.  This one deserves a long run.  You can still catch it on June 15 at 10 p.m., June 16 at noon and June 24 at 11:30 a.m., or buy the soundtrack and listen it these great songs over and over again.  You can purchase your tickets here.

Our next show wasn’t for a couple of hours, so we headed over to Fringe Concierge to pick up our credentials and then stopped at Three Clubs for a drink.  It was wonderful to run into several of the Cherry Poppins ladies, including Alli Miller, Sarah Haworth Hodges, and Sarah Wines, along with their amazing cohorts including Michael Shaw Fisher, Cory Robinson and Schoen Hodges.  We even managed to find Laura Wiley there as well.

We headed back to The Complex for our 10:30 show at The Flight Theatre, and ran into Victoria Watson and Better-Lemons‘ own Enci Box.  Watch for our reviews on that website as well.  Before we knew it, it was time for our second show of the night.

TITLE OF SHOW:  The Rental

VENUE:  The Flight Theatre at The Complex

REVIEW: This one was a last minute addition to our schedule, and boy are we glad we went.  This show was impeccable, and wonderfully written and directed by Ben Ubiñas.  The show starred Jake Corvino and Ali Astin, the amazing actress daughter of Sean Astin, best known to millions as “Sam” in the Lord of the Rings trilogy.  In today’s era of #MeToo, female empowerment and sexual politics, this show was right on point.  Both Astin and Corvino turned in Tony Award-worthy performances as a call girl and her virgin client.  The story takes you in one direction and then shifts into an entirely different one, with mind-blowing results.  Trust us when we say that you will walk away from this one with an entirely new perspective on the world’s oldest profession.

RECOMMENDATION:  This one is likewise a no-brainer.  There is only one performance left on June 14 at 6 p.m., and you owe it to yourself to attend.  You can grab your tickets here.

It was so good catching up with Ali after the performance.  We hadn’t seen her since 2012 when we worked at the Renaissance Faire.  We are sure the world will be seeing a lot more of this amazing actress.

 

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Artists Worth Checking Out Get it or Forget it LA Music Critic Awards Monday Mashup Women in Entertainment

Monday mashup 2017: Vol. 41 (Updated)

It has been snowing every day since I returned from tour, although much of it has melted when the thermometer reaches the upper 30’s.  It is a beautiful reminder that we are headed into the end of 2017, which has provided a plethora of great indie music.  Just a few more weeks until Thanksgiving and then a few more until Christmas and before you know it, we’ll be announcing the nominations for the LA Music Critic Awards for the second half of 2017.  We have definitely got our work cut out for us this time, as the quality and quantity of submissions are some of the best we have ever seen.   We can’t wait to share our nominations with you.  Until then, check out what’s currently happening in the indie music community.

INDIE ARTISTS PARTICIPATE IN SHOWCASES

This past weekend several of our favorite indie acts participated in showcases.  Fan Favorite winner FlecHaus took part in Austin Strong, along with Of Sea and Stone and Deer Fellow, at the Sidewinder in Austin, Texas on November 2.  Meanwhile, back in California, Floating Records hosted its “Fall Revue 2017,” featuring LA Music Critic Award nominee Jeffrey Halford & the Healers, as well as Marble Party and  Graham Guest on November 4 at the Throckmorton Theatre in Mill Valley.  Thanks to publicist Doug Deutsch for sharing.

BLAKE MORGAN HOSTS TRACY BONHAM

Blake Morgan has had an artist residence at Rockwood Music Hall for quite some time.  This month he will host Tracy Bonham on Rockwood’s Stage 3 on November 15.  If you are in New York City,  you might just want to grab tickets for this show – grab your tickets soon cause this series has consistently sold out.

JACK TEMPCHIN CELEBRATES 45th ANNIVERSARY OF “PEACEFUL EASY FEELING”

Blue Élan Records artist and former Eagles hit songwriter Jack Tempchin has scheduled a trio of local Los Angeles shows to celebrate the 45th anniversary of one of his biggest hits, “Peaceful Easy Feeling,” which he co-wrote with Glenn Frey.  The first one is scheduled for November 10 at Carruth Cellars in Solana Beach.  Labelmate Cindy Alexander will open this show.  Next will be a stop at the world famous McCabe’s Guitar Shop in Santa Monica on November 26.  Another labelmate, Chelsea Williams, will open this show.  His final stop will be at Mozambique in Laguna Beach on December 2.

MARINA V TO CELEBRATE CD RELEASE

Multiple LA Music Critic Award winner Marina V, recently returned from a tour of Germany and Moscow, will celebrate the release of her latest CD, Born to the Stars, with a show and party at the amazing Three Clubs on Sunday, November 12.  Tickets are half-off if purchased in advance on her website.  This is one show you don’t want to miss.

NEW SINGLES

First up today is blue-eyed soul singer Ashleigh Watson, with her new single “Little Love.”  We love the sound of this song, and look forward to hearing more from Ms. Watson.  We think she’s got a great vibe that will last for a long time.

Next is “Train to Nowhere,” a sure-to-be Americana classic song from The Sound of Ghosts.  This one has everything you love in a great Americana song – great lyrics, vocals, fiddle and even some amazing horns.  Let us know what you think.

Our final single today comes from Tim Maiden, with his beautiful song “So Far Gone,” a trip hop, electronic, R&B masterpiece.  Enjoy this one.

NEW VIDEOS

LA-based alt-rockers Satellite Citi bring us their latest music video for “Undead.”  It’s got great guitar riffs and a stunning visual story that brings the song to life.   Video game lovers – this one is for you!  Please let us know what you think.

Next up is a great lyric video from The Rebel Light for their song, “Where did all the Love Go?”  We are constantly amazed at the creativity in the indie music community, and think this one is a hit.

Our final music video for this week comes from Elizabeth and the Catapult, which we recently reviewed in our Get it or Forget it series.  Here is their video for “Ambrosia.”  Enjoy your week!

 

 

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Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Theatre

HFF 17 – see it or skip it (day 5) part 2

After those three magnificent dramas, we were ready to cut loose with some comedy, mischief and mayhem.  That can only mean another production by the amazing troupe at Cherry Poppins Productions, held at Three Clubs, the best place for late night entertainment in Hollywood.

TITLE OF SHOW:  Shakeslesque (To Thine own Cherry be True)

VENUE:  Three Clubs

REVIEW:  We fell in love with the ladies (and gents) of Cherry Poppins Productions last year, and couldn’t wait to get back this year for another delectable slice.  The addition of Michael Shaw Fisher this year has made for an absolutely appetizing and appealing show.  Kudos to Alli Miller and Sarah Haworth Hodges for creating this delicious morsel that is so much more than burlesque, with triple threats in abundance that add to the sheer beauty of the art that they create.

Hats off to the entire cast, which included Fisher, Miller and Hodges, as well as Tyler Olshansky, K.C. Lindley, Cory Robinson, Schoen Hodges, Amber Bracken, Kelly Stevenson, Taylor Baker, Reagan Osborne, Angie Hobin, Rebecca Reaney, Sabrina Moiseyev, Brin Hamblin, Sarah Wines, Kim Dalton and Megan Esber.  Every one turned in amazing performances.  We also love the ad libbing that goes on, especially from Miller, and the overall chemistry of this troupe – they are one of a kind.

RECOMMENDATION:  This one is a pure no-brainer.  If you love music, beautiful ladies, handsome lads, drag and burlesque, then you simply MUST SEE this show.  Your fringe experience is not complete without it 🙂  Their final show is June 23 at 11 p.m. and it is currently sold out, but you should make the effort to get on the wait list – it will be worth it.

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Fringe Shows

HFF16 – Day Seven (part 3)

The third show I attended on Friday was one that has been sold out the entire run of Fringe, A Whole Newd World – Cherry Tales at the Knock Shop, featuring the cabaresque stylings of Cherry Poppins Productions.

Newd

Created by the incredibly talented Alli Miller and Sarah Haworth, Cherry Poppins is so much more than just a burlesque troupe.  Every one of them are legitimate triple threats who can act, sing and dance.

Ali & Sarah

The show was wonderfully written and can best be described as an adult version of Into the Woods meets Disney on Broadway.  The multi-talented cast included Miller as Tinker Twat, Haworth as Lady Maleficience, Kelly Stevenson as Cherry Godmother, Heath Butler as Little RoHo, Rebecca Reaney as Evil YAS Queen, Brin Hamblin as Pocahottass, Megan Elise as Aerola, Madeleine Heil as Lady Reads a Lot, Tyler Olshansky as Lezmerelda, Taylor Baker as Hoe White, Shannon Glasgow as Purple Cat, Sabrina Moiseyev as Marachino Devile, Schoen Hodges as Prince Charming, Reagan Osbourne as Prince Not-so-Charming, Cory Robinson as Genie and Spencer Hayden as Russ Russ.

Cherries

There is not a weak moment in the show.  Every performer gave his or her all to the show, and made us believe in this magical place called the Knock Shop.  The featured songs gave these performers the chance to shine, and several of them truly knocked it out of the park, especially Hodges and Osbourne on “What Does the Fox Say.”

Come and see why this show is so popular .  . . and so damn good.  It was truly one of the best shows at HFF16, and the springboard to some of my best new fringeships.  Thanks so much to Miller and Haworth for making HFF16 my favorite year yet.

Although this show has ended its Fringe run, the ladies of Cherry Poppins can be seen every Wednesday night at Three Clubs, in addition to the remaining shows for Angels Flight on June 23 at 8:15 p.m. and June 25 at 8:30 p.m.

 

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Fringe Shows

HFF16 – Day Seven (part 2)

My fourth show of the day was Mad Lib the Musical and it was a rousing good time.  I wish that I had the time to see the entire show, as I had to slip out to go to Aliens vs. Musical, but what I saw was absolutely brilliant and amazing.

Madlib

I liken the show to a musical version of Whose Line is it Anyway? on steroids.  The concept is that the audience picks ten songs and three nouns to form the basis for the musical.   The cast then has five minutes to formulate the show based on those nouns and incorporating the songs.

The show features four regular cast members, Kate Bowman, Lauren Byrd, Nathan Ondracek and Mitchell Turner, plus two guest stars.  On this night those guest stars were Alli Miller from Whole Newd World and Angel’s Flight and Theresa Stroll from My Big Fat Blonde Musical.

I only got to see three songs, but the improv “script” was witty and fun.  The only drawback was the time it spent in setting up the show.  Had I not had another show coming up, it would have been a great way to close out another fun day of Fringe.  Catch one of its final two performances on June 24 or 25 at 10:30 p.m.

My final show for the night was one of last year’s hit shows, Alien vs. Musical.  From what I understand, this year’s show was longer than last year’s, and included additional material, including bits from West Side Story and Hamilton.

Alien

The show started off innocently enough in the land of Musical, where some of our favorite characters live in peace, including those from Grease, Wicked, Dreamgirls, Music Man, Hairspray, Book of Mormon, Les Miserables, and Annie, to name a few.  Speaking of Annie, Allie Costa turns in the performance of the decade in her role as Annie.  She gives the character true life and her song “There is no Tomorrow” is the highlight of the show.

The cast includes Levanna Atkinson-Williams as Effie, Christopher Bunyi as Danny, Nick Emmet McGee as Harold, Taylor Minckley as Elder, Ally Mulholland as Tracy, Matthew Noah as ValJean, Suzanne Petrela as Elphaba, Brad Simanski as Mark and Briane Sanborn as Maria.

Hats off to the creative team behind the show.  With book, music and lyrics by Erik Przytulski, book and creature design by Steve Troop and choreography by Regina Laughlin, and direction by Matthew Tyler and musical direction by Emily Cohn (who provides an interesting cameo with the Alien), the show appears to be on its way to its off-Broadway debut this fall.  It remains a fan favorite at Fringe and we’re sure it will do well in New York.

Catch one of its two remaining shows on June 23 at 8:30 p.m. or June 26 at 6 p.m.

I have saved my final review of the day until later.  Still waiting for additional information from the producer, but the show was one of the highlights of Fringe 2016.  I probably won’t get to work on it until I get back to Montana, along with my reviews of my Saturday (seven shows) and Sunday (two shows) experiences.  Until then, Happy Father’s Day to all the Dads and have a wonderful day Fringing.

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Fringe Shows

HFF16 – Day Seven (part 1)

Friday began innocently enough without any warning as to the Fringe incredibleness that was coming.  I spent the morning writing and relaxing before heading out to the Fringe for what I thought would be a normal night of great shows, with four of them planned for the evening.

Upon arrival at Three Clubs and looking at their line-up for the night, I shelved my previous plans and decided to catch all four of their shows and still be able to catch Alien vs. Musical afterwards.  That plan proved to be a wise idea.

The night began with the stellar performance of 50 Shades of Shakespeare.   The premise enticed me – two men, two women, doing Shakespeare’s sexiest scenes – but the twist was that the audience selected which actors would take which roles.  These guys KNEW their Shakespeare, inside and out, and delivered a stirring performance regardless of the role they played.

50 Shades

With a cast that included Kelly Nienaltowski, Jordan Mann, Noah James and Eddie Vona, under the superb direction of Jess Shoemaker, 50 Shades was a can’t miss production.  Their acting chops were put to the test and they responded with some of the best Shakespeare I have ever witnessed.  This is definitely one of the best shows at HFF16, and we highly recommend you catch one of their remaining performances on June 19 at 11 p.m. or June 20 at 8:30 p.m.

We’ll skip over the next show I attended and come back to it in Part 3 of this review.

Third on my plate for Friday was Black Widow Laughs, a show that I had intended to review on Sunday, but due to a change in plans, decided to check out on Friday.  The production team and the venue were very amenable to my request and took care of me, despite almost being sold out.

BWL

Vampire shows are always popular, and this one is even more so.  Nina Rose Carlin has crafted a great piece with an amazing cast featuring Wellesley Daniels, Cheyann Dillon, Savannah Gilmore, Lucy Keith and Darrin Luginski as a family of vampires who run a 1920’s speakeasy, and Charlie Haakenson, Greg Feiner and Carlin as their unwitting victims.

This production has the same kind of sexiness usually reserved for vampires of a more sparkly persuasion, and delivers a bloody good time for all.  Definitely check out of their remaining shows on June 19 at 9:15 p.m. or June 23 at 6:45 p.m.

The night continued in part 2, to be posted shortly.