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UM’s production of Dracula is a sexy scary good time

The University of Montana’s College of Visual and Performing Arts and the School of Theatre and Dance chose William McNulty’s play Dracula as their first production of the 2016-17 school year.  Perfectly timed to coincide with Halloween, this production raises the bar on what should be an amazing season.

Perfectly directed by second year MFA candidate Joel Shura, the set was designed by UM Instructor Brian Gregoire, with costumes designed by fellow Instructor Sarah Fulford.  UM students also assisted in achieving Shura’s artistic vision, including Mark Andrews on lighting design and Timothy McHenry on audio design.  The show was wonderfully stage managed by fellow student Kathryn Louise.

The play is based on Bram Stoker’s original novel, Dracula, and may seem different to those who have not read the book.  The play captures the allure of Dracula and Stoker’s intent on bringing this eerie story to life.  Shura adds to that mystique by crafting his production to show Dracula metaphorically as a spider who traps his victims in the web he spins.  That vision is readily apparent in the set design, which incorporates a maze of webs all across the stage.

While the entire ensemble was well casted, several of the actors turned in Oscar-worthy performances, the best of which was Karl Boveng as Robert Renfield, who stole the show with his perfect interpretation of this relatively minor character.  Fine performances were also turned in by Kurtis Hassinger in the title role, as well as by Ryson Sparacino as Dr. Van Helsing and Hudson Therriault as the Monster, whose acrobatic skills were most evident.  Annie Sacry had her moments in the role of Lucy Westphal, but was not consistent in her performance, while Zach French’s portrayal of Jonathan Harker seemed almost robotic.  Kudos also to Mariclaire Bozarth as Mina Grant/the Bride, Christina Heagney as Margaret Sullivan and Sienna Faydo as the Child/Bride, who were wonderful in their portrayal of Dracula’s minions.  Hunter S. Hash as Dr. Thomas Seward and Treyson Sherk as Norbert Briggs performed well in their roles.

Missoula always seems to have an abundance of shows at Halloween, with three of them this year to choose from, including MCT’s Disney’s Tarzan the Musical and the Montana Actors’ Theatre annual treat, The Rocky Horror Show.  We believe that UM’s production of Dracula is just as worthy of your attention.  Tickets are still available for the final two shows on Saturday at 7:30 p.m. and Sunday at 2 p.m.  Don’t miss it!

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Montana Rep’s All my Sons hits the mark

Once again the Montana Repertory Theatre has proven that they know how to present good theater.  Their current production of Arthur Miller’s All my Sons delivers on every front, both visually and emotionally.  Despite the fact that it was written in 1947, at a time when America was coming out of a devastating world war, the play is just as relevant today as it was then.

Flawlessly directed by Jere Lee Hodgin, All my Sons should be considered one of the best productions in the history of the Montana Rep.  With the assistance of scenic designer Mike Fink, costume designer Christina L. Milodragovich, lighting designer Michael Monsos and audio designer Zach Hamersly, and under the spot-on stage management of Hope Rose Kelly, Hodgin transports his audience to a simpler time when hard work and patriotism were honorable traits worthy of pursuit.  Underlying that theme is the timeless truth that sooner or later, the truth will come out.

Even with the dynamic behind the scenes work of Hodgin, Fink, Milodragovich, Mnsos and Hamersly, it takes a great cast to bring out the truth of this work, and the cast of All my Sons definitely fits that bill.  Led by Equity members Mike Boland as Joe Keller, Laurie Dawn as Kate Keller and Meg Kiley Smith as Anne Deever, coupled with locals Colton Swibold as Chris Keller, Mason Wagner as George Deever, Scoob Decker as Dr. Jim Bayliss, Cahilan Shine as Sue Bayliss, Sam Williamson as Frank Lubey, Elizabeth Bennett as Lydia Lubey and Heidi Williamson as Bertie, every member of this ensemble contributes to the success of the production.

This show has a particularly special meaning to this reviewer, as it was one of the first shows he performed at Riverside (California) Community Theater, where he portrayed the role of Frank Lubey.  Watching the Montana Rep production, the words of the play kept coming back to him, as the story progressed.

While this is a true ensemble piece, the work of several members went above and beyond, delivering truly epic performances worthy of recognition.  Among those who truly delivered were Swibold, Dawn, Boland and Smith.  Swibold made us believe in the utter goodness of his character who has lived his whole life believing in someone and something, only to find out it was all a mirage.  Dawn showed us that sometimes the person who seems to be out of touch with reality is the only one who truly understands the situation.  Boland showed us that even if we have the best of intentions, when we cut corners it will eventually catch up to us, while Smith showed us that living with a secret makes us do things that are not always in our best interests.

Despite the fact that All my Sons is a tragedy, the true tragedy would be in not learning the underlying message of the show, and in not enjoying this amazing performance.  You still have four chances to check it out, with shows at 2 p.m. and 7:30 p.m. on Saturday, January 30, and at 7:30 p.m. on Thursday, February 4 and Saturday, February 6.  You can purchase tickets online or at the UMArts Box Office in the PAR/TV building at the University of Montana.