Categories
Artists Worth Checking Out indie music Reviews

Trevor Drury shares his ‘Chapter 4’ with the world

We’re taking a break from packing to highlight a special artist from Ue3 Promotions.  Trevor Drury has recently released his latest single, “Chapter 4” from his forthcoming album Alice It’s All in Your Head, and is getting rave reviews from everyone, including this blog.

The song is a hypno-symphonic power pop-rock ballad that mixes elements of alt-pop with rock and jazz, including some discordant sounds that will instantly draw you into his story that intimately chronicles the closing of a special romantic chapter in his life. Though the song laments an impending breakup, he offers a glimmer of hope that he may see her again in the mysterious next chapter the song title refers to. 

Drury released his first album, The Start, back in 2016 at the tender age of 20, a promising debut that turned this young and talented singer-songwriter into a future superstar.  Since then, he has released the critically acclaimed and widely streamed tracks “I Know You From the 70’s,” (339,000 streams on Spotify) “Jealousy,” (378,000 streams) “Snowy Nights,” (686,000 streams) “Trip to the Water” (137,000 streams) and his previous single, “Head on the Tracks,” which is a dramatic look at anxiety and self-absorption.  The song recently premiered in Clash Magazine in the UK, and likewise continues to receive great reviews, while playing on radio stations nationwide in the US. 

Drury’s music has a pervasive retro feel that flows from his musical influences that range from Radiohead to Elvis Presley.  His  writing is evocative and allows the listener to engage with his words in a way that’s difficult to forget and impossible to ignore, as there is a narrative quality to his lyrics that includes fantastic piano riffs in each track.

Drury was born in Tucson and raised in San Diego, and began playing piano at eight years of age while pursuing music with a passion not often seen in one so young.   Drury subsequently studied music at San Diego State University and  British Irish Modern Music Institute.and is currently living in London.   His forthcoming album includes collaborations with top studio musicians and is being produced by Marc Swersky, who has been nominated for multiple Grammys while winning a pair, and Mark Needham, whose mix for The KillersMr. Brightside has now hit multi-platinum status.  While perhaps best known for prominent songs recorded by Joe Cocker and Hillary Duff, Swersky has become the go-to guy behind the boards for a wide range of independent artists, including The Chordaes, Ashley Delima and DR King

Despite the fact that Drury is credited as songwriter and Swersky as producer on the singer’s tracks, they are truly collaborative efforts. “I don’t think the songs would sound anywhere as powerful and impactful as they do without Marc,” he remarked.   “This is the first time I have worked with other musicians, and Marc instinctively knew who to bring in to flesh out my piano oriented demos into full productions – including the opera singer who sang with me on ‘Alice.'”

Drury continued, “A great producer is one who knows how to reach into you as an artist and pull out the essence of your idea, honoring what you want from the song while offering new insights on where it can go sonically.  It/s really cool to hear these tunes I create on the piano suddenly come to life with this massive sound.  I can sit back and listen to them as if they’re someone else’s work, but every track represents my final vision.  Marc works his magic, but they always feel like me.”

Drury recently had the opportunity to tour throughout Europe and Japan as the opening act for Ramin Karimloo, a well-known Broadway and West End performer.  

“I am a big fan of sounds that have movement to them and records that evolve and tell a story,” he says.  “I don’t like creating generic pop stuff, and feel bored with the idea of doing that.  If I hear a pop song, even if it’s a big hit, I’ll think, what if they had made it bigger and added a choir or taken their vocal and crunched it into guitar grittiness.  These things jump out at me as a way to make the song cooler and more interesting.  Marc is totally on the same page as I am in that respect. We like creating things we have never heard before. To that end, for every track we’re doing together now, we will have three versions: the one on the recording, a live version with a band and an acoustic version.  It’s fun to try different arrangements to play with the emotions of a song.”  

Although these days you will mostly find Drury performing within the UK and Europe, he is making a special trip to the US to perform on July 20 at Genghis Cohen (740 N. Fairfax Avenue) in Los Angeles.   Tickets are available here.

Categories
Hollywood Fringe Festival

Favorite shows of HFF19

HFF19 was an amazing Fringe, with so many great shows.  I managed to take in 79 shows, as well as perform my solo show four times.  Compiling the list of my favorite shows this year was exceptionally hard, given the myriad of great productions.  I have compiled a list of 20 shows that I loved, and although I am ranking them, each of them were equally enjoyable.  It goes without saying that every one of them are also highly recommended to be checked out during their extensions.  Venues are indicated for each extended show.

20.  Raised by Wolves (Stephanie Feury Studio Theatre) – Extension dates are July 29 and August 7, both nights at 7 p.m.  Tickets available  here.

19.  Drought – not extended.

18.  45mg (The Broadwater Black Box) – Extension dates are July 6 at 7 p.m. and July 7 at 5:30 p.m.  Tickets are available here.

17.  The Duchess & the Stripper – not extended.

16.  The Bully Problem (The Hobgoblin Playhouse at The Arena Stage, Theatre of Arts) – Extension dates are August 9 at 8 p.m. and August 11 at 9 p.m..  Tickets are available here.

15.  Tattered Capes (Studio/Stage) – Extension dates are July 24, 25 and 26 at 8 p.m., July 27 at 2 p.m. and July 28 at 7 p.m.  Tickets are available here.

14.  The Same Room (The Broadwater Studio) – Extension dates are July 5 at 7 p.m. and July 6 at 11 p.m.  Tickets are available here.

13.  Son of a Bitch (The Broadwater Black Box) – Extension dates are July 6 at 8 p.m. and July 7 at 3 p.m.  Tickets are available here.

12.  An Yet Another Evening with the Sistahs:  Unsung Sheroes (Hudson Theatre (Guild)) – Extension dates are July 12 at 8:30 p.m. and July 13 and 14 at 3 p.m.  Tickets are available here.

11.  The Mayor’s Debate of Tranquility, Nebraska – not extended.

10.  Leaving Prince Charming (Lounge Theatre 2) – Extension date is July 13 at 5 p.m.  Tickets are available here.

9.  Transference – not extended.

8.  Come on Down (The Broadwater Black Box) – Extension date is July 6 at 10 p.m.  Tickets are available here.

7.  (IM) PERFEKT (Lounge Theatre 1) – Extension date is July 20 at 5 p.m.  Tickets are available here.

6,  Pockets – not extended.

5.  The Death of Sam Mobean – not extended.

4.  Blackboxing (The Complex Hollywood (Dorie Theatre)) – Extension date is July 13 at 10 p.m.  Tickets are available here.

3.  Olivia Wilde Does not Survive the Apocalypse (The Complex Hollywood (Ruby Theatre) – Extension date is July 10 at 8 p.m.  Tickets are available here.

2.  Batter Up!  My Brain on Baseball (Studio/Stage) – Extension dates are July 20 at 4:30 p.m. and July 27 at 8 p.m.  Tickets are available here.

1.  LEAR/LOMAN – The Best of Ink @Fringe – not extended.

Honorable Mentions go to Human Fountains, To Richard, Hollywoodn’t, Wigfield, Fertile., Corina: From Lap Dance to Sundance, Saving Cain, How I Became a Superhero, Acid Wash Love, Extraordinary, Hamilkong, Orangutan, Paper Trails, and Come Back!, in no particular order,

Categories
Awards Hollywood Fringe Festival

Award winners announced for HFF19

We were unable to attend the Awards show, but wanted to recap them for you anyway.  Here are winners of the community awards, along with our picks, if different:

Here are the winners of the sponsored awards:

Larry Cornwall Award for Musical Excellence

Solo – Blackboxing

Ensemble – An yet Another Evening with the Sistahs

2019 Unleashed Awards – The Mayor’s Debate Of Tranquillity Nebraska

2cents Theatre Distinctive Voices Award – The Institute For The Opposite Of Longing

Aunt Lyla’s Fave Fringe Flyer – Matt: The Gathering

Fight the Power Award – Start Swimming

No Room In The Green Room Award – Borracho: Spanish For Drunken Bum

O Face Award For Orgasmic Achievement In Theatre: “Most Orgasmic Performance” – Macy IdzakovichFlower Society

Showorks Don’t Wait. Create! Award – The Duchess & The Stripper

Soaring Solo Artist Award – Dear Jeff by Callie Ott

Standout Song Award – “Smellay Lahk A Turkay (She Was)” from Blackboxing

Steve Kent Award – Earth Stories: Our Climate And Our Future

The Diverse Diva Award – Squeeze My Cans by Cathy Schenkelberg

The Golden Key – The Pod

The Inkwell Theater Playwright’s Promise Award – Butcher Holler Here We Come” by Casey Wimpee

The Outdoor Voices Festival “conversation Creation” Award – 

Dear Jeff: A Musical Comedy About Suicide & Domestic Abuse

The Paul Koslo Memorial/Met theatre Award – A Time Traveler’s Guide To The Present

TPP’s Trope Buster! – Blackboxing

The LAFPI Most Wanted Awards:

Actors Company
Assistance League Theatre
Hudson Theatres
Lounge Theatres
Asylum @ McCadden Theatre
Asylum @ Studio C
The Hobgoblin Playhouse at The Arena Stage, Theatre of Arts
The New American Theatre
The New Collective

Fringe Runway Winners: 

1st Place- ANGELBIRD
2nd Place- THE HUMAN[OID] EXPERIENCE
3rd Place- Start Swimming
Honorable Mention – Mil Grus

Audience Winners:

1st Place – Squeeze My Cabaret
2nd Place – HAMILKONG

Best of Broadwater Award

SCARLETT FEVER
LEAR / LOMAN – THE BEST OF INK @FRINGE
COME BACK!
THE LAST CROISSANT
GRAIL PROJECT
POCKETS
JOURNEY
LINCOLN 2020
SUPPORTIVE WHITE PARENTS
EARTH STORIES: OUR CLIMATE AND OUR FUTURE
RIDE OR DIE: THE HIP-HOP MUSICAL
JORDAN MAVERICK HISTORY TEACHER
TEMPLE TANTRUM
NORMALER THAN EVERYONE
45 MILLIGRAMS
EARTH TO KAREN
THE FLOWER SOCIETY
SON OF A BITCH
ORANGUTAN
FOUR CLOWNS PRESENTS: SHAKEDOWN AT THE DUSTY SPUR!
COME ON DOWN
MR. YUNIOSHI
THE SAME ROOM
GHOST TOWN
RED, WHITE, BLACK & BLUE
DEAR JEFF: A MUSICAL COMEDY ABOUT SUICIDE & DOMESTIC ABUSE
THE DEATH OF SAM MOBEAN
MEET ME IN MIZZERY
ALIVE-ISH
IF TRUTH BE TOLD

Encore Extensions:

The Actors Company
#CANCELLED
BIRTHDAY
HAPPY HOUR
HUMAN FOUNTAINS
MANDY PICKS A HUSBAND
ORACLES AND MIRACLES
PUBLIC DOMAIN: THE MUSICAL
REWIND – A NEW 80’S POP MUSICAL
THE LONDON ROSE
[TITLE OF SHOW]

New American Theater
THE SCORPION AND THE FROG: A TIME-KILLER
LOOSE UNDERWEAR

Hudson Theater
COMEDY HOE
THE RIDE
GOLDFISH
EVA PERON BY COPI EN ESPAÑOL
AN YET ANOTHER EVENING WITH THE SISTAHS- UNSUNG SHEROES
LOVE, MADNESS, AND SOMEWHERE IN BETWEEN
IT TAKES TWO: MUSICAL IMPROV WITH PEARCY & BYRNES
SWIPED

The New Collective
YOU TOO
YOU, AGAIN

The Complex Hollywood
2 FOR 1
ACID WASH LOVE
BLACKBOXING
CAVE GIRL THE MUSICAL
THE COLOR COLLECTIVE
CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR
DEATH AND THE FOOL
FIVE
IF IT GOES THERE
KLINGON TAMBURLAINE
MY TRANS WIFE
THE NARCISSIST NEXT DOOR
OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE
PIT OF GOBLINS
POCKETMON! A PARODY MUSICAL
PRINCESS MAGIC’S TRASH TIME REVUE
PRODIGY
SEXUALMISADVENTURESOFASTRAIGHTWHITEMALE: APRIVILEGESTORY
SHIVA FOR ANNE FRANK
TALES FROM THE POWDER ROOM
THE MAYOR’S DEBATE OF TRANQUILITY, NEBRASKA
THIS WAY YONDER
VERY GOOD ACTOR: AN ACTING SEMINAR
WHAT I NEVER TOLD YOU
WHY DID THE CHICKEN CROSS THE ROAD?
YES. NO. MAYBE.

Lounge Theatre
AN EXCUSE TO BEHAVE BADLY
CHRISSY METH – A DANCE WITH THE DEVIL AND THE JOURNEY BACK
CORINA, FROM LAP DANCE TO SUNDANCE
HIDE YOUR FIRES: BUTOH LADY MACBETH
HOLLYWOODN’T
(IM)PERFEKT
TO RICHARD!
A BIT MUCH
CLEMENTINE
FERTILE.
IF WE RUN
LEAVING PRINCE CHARMING

Studio/Stage
BAT KNIGHT!
BATTER UP! MY BRAIN ON BASEBALL
CRABBE AND GOYLE ARE DEAD
DISROBED
LIFE PLAN, OR LIVING YOUR BEST LIFE IN A COLLAPSING WORLD
THE JOURNEY OF THE LITTLE PRINCE
PHO GIRL
TATTERED CAPES
SILENT JOY, A NEW PLAY
SUGARFREE: FOSTER CARE COGNITIVE DISSONANCE

The Hobgoblin Playhouse at the Arena Stage
EARTH & FIRE WALKING (TIERRA Y FUEGO QUE CAMINA)
SHE KILLS MONSTERS
RADICALS
TABLETOP (THE MUSICAL)
THE BULLY PROBLEM

McCadden Theater
GUNFIGHT AT THE NOT-SO-OK SALOON
LET’S WRITE A MUSICAL
MIL GRUS
MONKEY MIND
NO MORE TOYS
SIREN CALL
STRAIGHT WHITE MEN TRYING TO WOKE
Thymele Arts
NO CHILD LEFT BEHIND.

Stephanie Feury Studio Theatre
BUNNY THE ELF LIVE!
GEORGE.
GREENWOOD 1964
OUT OF THE BLUE
RAISED BY WOLVES
SORRY ABOUT MY FRIEND
SWIPE RIGHT: THE MUSICAL
THANK YOU FOR LOVING ME
THE HUMAN[OID] EXPERIENCE
TOBINCON

Studio C
AMERICAN STRANGER
ASK A BLACK WOMAN
DANDY DARKLY’S ALL ABOARD!
DEAR JEFF: A MUSICAL COMEDY ABOUT SUICIDE & DOMESTIC ABUSE
DOUBLE FEATURE: THE ORIGINAL ENGLISH & MURDERFUCK
I AM NOT A MAN
JAMBA JUICE: THE MUSICAL
MORAL FIXATION (ORIGINALLY TITLED BOYS
WILL BE BOYS)
MR. YUNIOSHI
ONE HUMP HEART
PAPER TRAILS
SPEAK I WILL: A FRACTURED SHAKESPEARE
SUPPORTIVE WHITE PARENTS
TEMPLE TANTRUM
THE LAST POWERPOINT
THE MASHER
THE ONE-MAN IMPROVISED MUSICAL
SEVEN
ALL OUR PRETTY SONGS

Congratulations to all the winners and especially to their audiences, who are the real winners here.

Categories
Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it

HFF19 day 18 – see it or skip it

I survived closing weekend, and really missed not being able to attend the Awards show or the closing party.  I left Los Angeles on Monday morning and am now safely back in Montana, where we are preparing to move to North Carolina.  There are two more articles coming from us regarding HFF19, and then we will close the book.  But before we list the award winners and our favorite shows of HFF19, here is our final review.

ITLE OF SHOW:  LEAR/LOMAN

VENUE:  The Broadwater (Main Stage)

REVIEW:  It seems that I saved one of the best shows of HFF19 for last, as Lear/Loman delivered on so many levels.  Starting with the amazing script written by Kate Schwartz and directed by Scott Leggett, the acting was simply amazing and the show left a lasting impact on me, especially given what had happened to me during the weekend.  Suffice it to say that this show is definitely in the top 10 and maybe even the top 5 of the over 600 shows I have reviewed at the Fringe, and I will never forget its impact.  Leon Russom (Lear) and Bruno Oliver (Loman) turned in Tony-worthy performances, and were truly supported by Heather Roberts (Linda Loman), Tim Kopacz (Biff Loman), Reuben Uy (Happy Loman), Sarah Schulte (Regan) and Lauren Dewey (Goneril).  It is no wonder this show won the Best of Ink Fest.  It should be in permanent repertoire at the Broadwater, as I think this one will truly stand the test of time.

RECOMMENDATION:  This was their last performance, but they are being extended.  I highly recommend you get tickets ASAP because the show will most assuredly sell out.