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Reviews

Lyndzie Taylor’s Phoenix is the perfect vehicle for her musical rebirth

Colorado native Lyndzie Taylor is set to capture the Los Angeles music scene with the release of her new EP Phoenix.  Produced by Mallory Trunnell (one half of the alt-country duo Crimson Calamity), Phoenix allows Taylor to spotlight her true musical talents.

Taylor grew up on the music of 80’s female rockers like Joan Jett and Pat Benatar, and her latest offering provides notice to the world that Taylor belongs in that same category.  All five songs on the EP are impressive, beginning with the first electronic notes of “What do I Know” and lasting until the final note of the title track.

Taylor moved to Los Angeles to attend the American Musical and Dramatic Academy, majoring in Musical Theater and Voice Performance.  Along the way she met Trunnell and Lauren Harding (the other half of Crimson Calamity), as well as other female voices in LA’s indie music scene.  Taylor’s early career could be classified as “singer-songwriter,” and she excelled in that genre.  Now, however, under the direction of Trunnell, Phoenix announces to the world that Taylor has arrived as a true voice on the indie rock scene.

“My music is loud, bold and in your face,” admits Taylor.  “It felt good to match my creative expression with my personality in the studio.”

Definitely falling into that category are tracks 1 (“What do I Know”) and 4 (“Let’s Get Loud”), while tracks 3 (“Rain”) and 5 (“Phoenix”) show a softer but no less powerful side of her musical prowess.

Taylor envisions making a mark as a fiery voice in the LA music scene.  “The emotional core of my music is strength, as a person, as a woman and as an artist.”  We definitely agree.

For those of you fortunate enough to live in Los Angeles, Taylor will be celebrating the release of Phoenix with a record release show at 10 p.m. on December 2 at Club Moscow @ Boardners in Hollywood.  We strongly encourage you to check her out live.  If you can’t wait, you can download her music now from iTunes.

For more info on this amazing artist, check out her Facebook page, follow her on Twitter and Instagram and subscribe to her YouTube channel.

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Women in Entertainment

Women in entertainment: Danni Rosner, sweet country songstress

As we head into Thanksgiving, it is our privilege to present this week’s Women in Entertainment profile of Danni Rosner, former television host, singer-songwriter and founder of the future country wonders, Honey County, one of the brightest of country music’s newcomers.

Born and raised in Virginia, she relocated with her family to Tokyo, Japan as she was entering the fifth grade.  She remained abroad until high school, when her family returned to Virginia.  Rosner then attended Virginia Tech, where she graduated with degrees in English and Musical Analysis.

Her musical career truly began in 2009 when she won the legendary NYC Amateur Night at the Apollo with a rendition of Aretha Franklin’s “Chain of Fools.”  Since then, she has been featured several times at the Sunset Sessions Radio Film & TV Showcase in Las Vegas and has performed live on a myriad of NBC, FOX & WUSA morning news and talk programs.  She was also the host for PBS’s music video program Strictly Global on the MHz Networks.  Her music has been placed in several television shows and indie films, including A&E’s TEACH:  Tony Danza, ABC’s General Hospital, and the indie film The Umbrealla Man.

In 2013, her solo single, “Didn’t Mean it That Way,” debuted at #6 on the iTunes POP ‘Hot Tracks’ and quickly followed with notable placements on iTunes New & Noteworthy Country and iTunes Rising Stars of Country.  Along the way, she also found time to tour as a solo artist in support of Grammy winners Leeann Rimes, Marc Cohn and current Top 40 artist Matt Nathanson.

In 2014, Danni founded the female pop-country trio Honey County.  The band has already had a song placed on the 2014 season finale of HBO’s True Blood, a pop-country trio.  In addition, the band was chosen as a semi-finalist on VH1’s Make a Band Famous.

After the band released their first self-titled EP earlier this year, their single, “99 Bottles” was selected to represent them in CMT’s contest to chose the opening band for country superstar Brett Eldredge.  Los Angeles-based country station Go Country 105 also sponsored the band in the 34th annual Country Showdown competition, where they finished second.  Go Country was so impressed with the band that they booked them for their Hot Country Nights cruise.  Rosner also found time this year to share her voice on Disney’s TV movie event Descendants.

What inspires Rosner?   “I’m constantly inspired by my younger sister, April.  With every day that she battles ulcerative colitis, she continues to remain upbeat and positive.  She is one of the most resilient and courageous people I know.”

Honey County has received airplay not only on popular Los Angeles radio station KCRW, but also on iheartradio station WPOC 93.1, and continues to perform throughout California, most recently at the Hotel Cafe in Hollywood and Incahoots in Fullerton, as well as the legendary Troubadour on Santa Monica Boulevard in West Hollywood.

Where does Rosner see herself in the future?  “It’s hard to see 10 or 20 minutes down the road much less years, but I dream BIG!”

WPOC DJ St.Pierre said it best:  “I know it’s hard to compare anybody to this (speaking of Danni Rosner) superstar’s voice, but Danni has a ‘Carrie Underwood’ feel, and it’ really powerful.”
With an upcoming show at the newly relocated House of Blues on December 17, fans will have the chance to see why Honey County, featuring Danni Rosner is definitely on their way up the charts.
To find out more about Rosner and her band, check out their website and Facebook pages (solo and band), follow them on Twitter and Instagram, and subscribe to their YouTube channel.
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Artists Worth Checking Out

Shane Piasecki to debut new video

Back when I was writing for Examiner.com and AXS.com, I had the privilege of reviewing and helping to introduce Shane Piasecki, a brilliant new artist based in Nashville, Tennesee.

Piasecki will be releasing a music video for his soon-to-be hit song, “Jackie O” in the near future.  Here’s a sneak preview of that video:

Check out my review and stay tuned for the debut of this incredible music video.  In the meantime, check out his Facebook page.

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Women in Entertainment

Women in Entertainment: Katie Rubin, comedian, actress, healer

Good morning world – what a great weekend!  So happy to present this week’s Women in Entertainment article on my friend, Katie Rubin, an actress, writer, comedian and spiritual healer whom I met a couple of years ago at the Hollywood Fringe Festival.

Rubin has been a force on stage for many years.  She got her early education at Amherst College in Massachusetts before moving to the west coast to attend the University of California Davis, where she received her MFA in 2005.  During those early years, she also received training in New York City, as well as Los Angeles.  She has performed on stage in Los Angeles and Sacramento, appeared on A&E’s 100 Center Street and three indie films, as well as written and toured with four solo shows.

She toured her first comedic solo show Insides OUT! to venues across the country for eight years.  The show received a nine week Equity production at The Sacramento Theater Company from March through April 2006, as well as a four week run at the Foothill Theater Company in Nevada City.  The show has toured to over 100 events and venues.

Her second solo show Amazing and Sage was commissioned by Capital Stage Theater Company.  Her third solo endeavor My Spiritual Death, a Comedy Show! is currently touring the country, while her fourth show Everything, All at Once! is on commission with The Cell Theater in Albuquerque, New Mexico.  In fact, she was performing her third show when I met her at the Hollywood Fringe and convinced her to bring the show (originally called Why I Died, a Comedy!) to Missoula, Montana for the 2014 Zootown Fringe Festival.

Her first original piece PartyBoobyTrap was performed while she was an undergrad at Amherst College, while her second Avoiding Less Blue was performed at the 2000 New York Fringe Festival.  She also wrote two plays under commission of the UC Davis Department of Health, as well as a 10 person play for the Capital Stage’s annual fundraising event.

Among her multitude of acting roles are performances as Tanya in The North Plan, as Mrs. Daldry in The Next Room or The Vibrator Play, and as Wendy in Hunter Gatherers, all at the Capital Stage Theater in Sacramento, California; as Izzy in Rabbit Hole and as The Nurse in Wit at The B Street Theater; a double role as Mrs. Cratchit and the Ghost of Christmas Past in the Sacramento Theater Company production of A Christmas Carol and as Mayella in To Kill a Mockingbird; and as Mrs. Pennywise in Urinetown at the Foothill Theater.

What inspires Rubin?  “In terms of what inspired me to get started on this crazy path, it was the fact that I always had something to say and a strong desire to say it creatively, in characters, and on stages.  I am a Writer/Performer, which is to say- I have always had strong points of view about the world, big questions about existence and being alive, and an equally big need to talk about and explore them creatively.  I don’t know where those particular drives come from- I imagine it is the same for athletes and/or entreprenuers- that a strong need to do a seemingly strange, but ultimately inspiring thing arises and one either answers the call, or suffers at the hands of not having done so.  I know for msyelf when something wants to be created and I do not create it, my experience of being alive is painful- it’s like I’m living a lie or half-living.  It’s empty and vacant and unsatisfying.  Then again, in heeding the call, there are all kinds of other stressors and tensions- anxiety, fear, doubt, time and money pressures, social pressures, expectations, etc.  These, however can be managed.  But the life unlived, the words not said, cut much more deeply.  For me, anyway.  I think that is because each of us is here to contribute to the Communion of We, to the greater good, to mankind and its evolution.  And when we refuse or fail to do so, I think we suffer, and the purpose of that particular brand of suffering is to drive us forward.”

Rubin recently completed performing in the Capital Stage production of Mr. Burns, a Post Electric Play, and is currently performing in Of Kites and Kings at the Sacramento Theater.  In her own words, “Of Kites and Kings” is a new play by my dear friend Gary Wright, about the relationship between Ben Franklin and his son, William, told through the voice of the woman his son was set to marry, Polly.  After that, I will be directing a production of The Motherfucker With The Hat at Big Idea Theater.  And still after that, I’ll be writing a new solo piece with Kolt Run Productions in Sacramento, to be performed in June.”
To learn more about this amazing artistic genius, check out her website and Facebook page, follow her on Twitter and subscribe to her YouTube channel.
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Women in Entertainment

Women in Entertainment: Sara Routh, midwestern songstress takes flight

As the temperature drops and we head into the holiday season, this week’s Women in Entertainment focuses on globe-trotting troubadour Sara Routh, sister of Superman/Ray Palmer and a self-proclaimed “black sheep.”

Pronounced like “south,” Routh is an energetic, Iowa born, gypsy girl who traveled the world, playing in and out of incredible traditional and non-traditional venues.  One of her favorites was playing on the curb to the homeless at 4 a.m. in Shanghai, China.

The proud sister of Brandon Routh, who starred as Superman in the 2006 film Superman Returns and others before returning to television as “Ray Palmer” in WB’s Arrow, Routh has also been a part of the Hollywood scene.  Her song “Sitting On My Window” was used on the WB’s hit show, Everwood, and also earned her a win for Best Folk Artist for the Southern California Music Awards in 2006.  In addition, her song “You’re Never Gone” was placed on the compilation album, Sounds of Superman which was released internationally in 2006.

In 2008, she traveled to Shanghai, China, where she regularly performed at some of the top venues in the city.

Despite her numerous international live performances, Routh did not release her first album until June 2013.  Funded through Kickstarter, Road(s) was warmly welcomed by the public and the press and earned Routh nominations for Best Pop Album and Best Female Artist for the LA Music Critic Awards.

What inspires Routh?  “Life inspires me.  Every day I wake, it’s a beautiful day.  I am constantly looking for the next extraordinary experience.  When I find them, I embrace them, allow them to effect me and then let them go free.  From the smell of the sweet Iowa air to witnessing two lovers in their 90’s hold hands . . . these are all moments which influence my music.”

Routh recently moved back home to Des Moines, Iowa from Los Angeles, where she had filled rooms at The Foundation Room at the Sunset House of Blues, Hard Rock Café, Bar Lubitsch, Genghis Cohen and The Viper Room, just to name a few.  Her sophomore release, Black Sheep was released in September 2015 and recently reviewed on the prestigious blog No Depression.

What are her plans for the future?  ” I just released my Sophomore record, “Black Sheep” in September, and took off on my virgin solo voyage across the country.  I  will be making my mark on 25 states by the time May 2016 rolls around.  I am extremely excited for this tour.  Someone very close to me once told me, “trust in the timing of your life” and I have to say, he was right.  I do.  I will continue to write my story and I want to share it with you.  This is what I do.  This is who I am.  I want you all to be a part of that journey.”

For more information on this amazing artist, check out her website and Facebook page, follow her on Twitter and Instagram, and subscribe to her YouTube channel.

Categories
Women in Entertainment

Women in entertainment: Kirsten Proffit, premier musician, songwriter and producer

Normally the first Monday of the month would be dedicated to introducing you to a future Women in Entertainment member.  Unfortunately this month, I was unable to obtain the information needed for my selected honoree, so we will continue with our regular series.  Next up to be spotlighted is the other half of California Country records, the undeniably talented Kirsten Proffit, a premier musician, songwriter and producer, and one-third of the hugely incredible Calico the band.

“Brash yet sweet, powered by love, passion, pain, and loss, Kirsten Proffit’s songs connect with listeners on a level far deeper than most of today’s singer-songwriters,” says her official bio, and believe me, it’s not hyperbole!  I have known her for quite a few years, and she has impressed me with her professionalism, her talents and her drive during the entire time.

I was first introduced to her when I was working with the Orange County Music Awards (OCMA), heading up the live acoustic performance competition.  With a sound that is a combination of the songwriting talent of Joni Mitchell and the musical abilities of Sheryl Crow, she wowed the Gypsy Den audience and impressed the judges panel and walked away with a win in the “Best Female Artist” category.

The judges were not the only ones impressed by this rising star, as she also impressed producer Bruce Witkin (Vanessa Paradis, Johnny Depp), who worked with Proffit on her debut album, Lucky Girl, an album that delves into the often turbulent world of relationships.  It resulted in two singles, “Something I Can’t Be” and “Redemption Day,” both of which received their fair share of radio airplay across the country.

Not only did Proffit’s music impress radio’s program directors and fans, it also began to move music supervisors, who placed her music in such shows as Friday Night Lights, Dawson’s Creek, Smallville and The Osbournes, and included them on the DVD soundtracks of Felicity and Party of Five.  This in turn led to a placement in Jiminy Glick in Lalawood, a movie featuring legendary Saturday Night Live comedian and director Martin Short, who used three of Proffit’s songs, including the movie’s theme song.

Setting aside the obvious skills exhibited in her recorded music, what truly sets Proffit apart from her contemporaries is her ability to craft amazing live performances, which came in handy when she appeared on such nationally syndicated radio shows as  “The Dick and Skibba Show” and the “Frosty, Heidi & Frank” show (broadcast from LA’s 97.1 KLSK).   Using songs from Lucky Girl, Proffit won the station’s “Should I Stay or Should I Go” competition, resulting in her selection to perform at their songs Birthday Bash Concert.

What inspires her?  “I am totally inspired by honesty in songwriting and performances. Anything that is true is great to me and I try not to get hung up on what is cool or trendy.  I want to make people feel something when they hear my songs.  A song is a great opportunity to say something – – good, bad or otherwise – – and really make a point,” she said. “I just want to make my point in the coolest, most musical way possible.”

Prior to hooking up with Manda Mosher to form Calico the band, Proffit shared the stage with several high-profile artists, including Duncan Sheik, Paula Cole, and the Steve Miller Band, and was chosen by Fender for an endorsement deal, which led to her performance on their stage at the 2013 NAMM Show.

Where does Proffit go from here?  “I am planning on continuing with Calico the band, finishing our upcoming record and putting it out in spring.  I am also continuing to produce other artist’s records with my partner Steve Berns and putting out records via California Country Records, the label that Manda Mosher and I started.  We will see how it goes, but it looks like there might be a California Country compilation in our future – – there are some great Americana artists on this side of the country and we would love to put something together that represents what is happening on the west coast right now.”

For more information about this amazing artist, check out her website and Facebook pages, follow her on Twitter and subscribe to her YouTube channel.

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Reviews

A Chorus Line gets a new life at the University of Montana

I had just completed my sophomore year in high school when A Chorus Line first opened on Broadway in 1975, and truly fell in love with this Marvin Hamlisch/Michael Bennett classic when our glee club did a pair of its best songs, “One” and “What I did for Love.”  I could totally relate to the character of Diana, a Puerto Rican actress who, like many of us, just didn’t get improv.

When my daughter Grace was just two days old (in 1982), we took her with us for the touring company presentation of the musical in San Diego.  Although I have thought about the musical a few times over the years, I had all but forgotten its power until I attended the University of Montana School of Theatre & Dance and College of Visual Arts and Performing Arts production over the weekend.  It all came rushing back as my wife and I basked in the glory of this timeless musical.

Perfectly directed by John Kenneth DeBoer, who also plays the character Zach, with musical direction by UM alum John Knispel, UM’s A Chorus Line captured the essence and heart of the original production.  The show was wonderfully cast with a group of students that understood the story and presented it to the packed auditorium with all the wonder and pizzazz of the original Broadway cast.

With superb choreography by Nicole Bradley Browning and Heidi Jones Eggers, the simplistic but effective scenic and lighting design of Zack Aschim, Mike Monsos and Brian Gregoire, and the historically perfect costume design of Kersti Pearson, this show brought back all the positive memories of my earlier exposure and prompted me to sing along to every song.

Written before Hamlisch became a household name with his Oscar winning score for The Sting, the music of A Chorus Line set the bar for future Broadway shows, and propelled many of the songs, including “One” and “What I did for Love” into the pop music scene.

Even though A Chorus Line is a true ensemble piece, it still leaves room for some outstanding individual performances.  Among those in this production were Maria Miller’s portrayal of Diana, Carissa Marie Lund’s as Connie, Jourdan Nokleby’s as Sheila and the show-stopping performance of Colleen Reed Rosbarsky as Cassie.

Others who turned in memorable performances include DeBoer as Zach and Matt McDaniel as Paul.

The cast is so good they should consider taking the show on the road.  Everyone in Missoula should endeavor to catch one of this week’s closing performances on October 27, 28, 29, 30 or 31, all at 7:30 p.m.  Tickets are available online through GrizTix or at the UMArts box office.  Don’t miss your chance to experience one of the most powerful musical productions ever written.

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Reviews

Darby Williams introduces herself with debut album “Me”

“Tall, blond, bodacious and sensual, newcomer Darby Williams commands the stage just as she commands her dynamic vocal range, with artistic creativity and a personal touch not often found today. Signed personally to Roc Cartel by label founder and President Ray De La Garza, Williams captures the essence and the nuances of perhaps the greatest collaborators in jazz history – Duke Ellington and Billy Strayhorn.”

So begins the press release for jazz artist Darby Williams, which was sent to this reviewer by one of his sources, Deborah Radel, publicist and fellow indie music lover.  Come to find out Williams had recorded a duet with Grammy and Oscar winner Peabo Bryson, which has been released as a single to highlight Williams’ debut album, Me.  With this reviewer’s interest piqued, an interview was set up with Ms. Williams, and here’s how it went:

IV:  How did you hook up with Peabo?

DW:  My manager, Richard Flanzer and my label, Roc Cartel, set up the duet.  We are planning on touring all of my music at some point, but our primary focus is on the duet.

IV:  How did the album title come about?

DW:  My label chose the title “Me” as I am a new artist who they wanted to introduce to the jazz world in particular.

IV:  What makes the duet with Bryson so special?

DW:  The duet is very breezy and fun while the remainder of the album is a collection of Ellington ballads.  Most people are already familiar with those tunes so they wanted them to see what makes my music unique.

IV:  What was your training?

DW:  I started singing in church at the age of 3.  I always sang together with my her Dad, who loved jazz, so I turned into a jazz girl.  We’d get in the car and start singing to Sinatra and others and he’s still singing with me today.

IV:  What other jazz or music influenced your style?

DW:  The Ellington/Strayhorn swing songs were always my favorites but their ballads were what I loved.  They were challenging to perform but such a privilege to get to do them.  They are not easy to sing and emotionally impact me very deeply.  During the recording process, there were many times I would just burst into tears as the meaning behind the lyrics hit home.  This (recording music) is all very new to me and I feel very lucky to have this opportunity.

IV:  Why is recording music is so different?

DW:  It’s like Alice in Wonderland for me.   The whole process is very amazing.  I have two great producers, Jason Switeser and Flanzer, who are legends in the industry.   I’m being well taken care of and loving every minute of it.

IV:  How did the label deal with Roc Cartel come about?

DW:  I was introduced to De la Garza (the label owner) through a friend of a friend of my manager.  When De la Garza found out I was a singer, he was intrigued.  It went from there.  It’s kismet for a girl from Salem, Oregon to get this opportunity.   I subsequently moved from Salem to Portland but am now considering an apartment in NYC to expand my horizons.

De La Garza had this to say about Williams:  “Darby has such a diverse vocal range that her interpretation of these songs makes them relevant and accessible to everyone. We are looking forward to introducing this work to many who are not yet familiar with this legendary music, as well as, to those who hold a deep appreciation for these timeless classics.”

“Darby is a fantastic vocalist with command and range. I’ve sung with the greats and she’s more than holding her own,” added Peabo Bryson.

Williams is currently scheduling her tour to support her album, and hopes to include Europe and Japan on her itinerary.  Her album dropped in August.

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Women in Entertainment

Women in entertainment: Manda Mosher, California country personified

It is quite an honor to present this week’s featured Women in Entertainment artist, Manda Mosher, accomplished solo artist and member of CALICO the band, new mother and the true personification of the California country sound.

A sixth generation Californian and Angeleno. Mosher’s family first came to the City of Angels in the late 1800’s before establishing a chicken farm in the Valley in 1911.  She grew up in a musical family that lived in the little town of La Crescenta, a sleepy and secluded community located at the foot of the mountains just north of Pasadena and east of Los Angeles.

She picked up her grandfather’s Gibson ukulele at the age of five.  With her father playing flamenco guitar and her mother singing, music was truly an integral part of her daily family life.  Mosher learned her father’s flamenco tunes from memory and quickly developed an ear for and interest in music.  She spent much of her youth studying her parent’s musical library, reading Neil Young liner notes, all the while keeping her ear to the stereo speakers, listening to the likes of Bob Dylan, The Doors, The Beatles and Leo Kottke.   As a result, writing and singing became a more natural form of communication than talking.  “I found I would leave encounters thinking ‘I wish I would have said…’ and this would give me the impetus to sit down and compile my thoughts along with images and poetry and set it to song. This was and still is my most powerful form of communication,” Manda explains.

After high school, Mosher decided she needed a more serious place to study music, so she relocated to the east coast to attend the renowned Berklee School of Music in Boston.  While there she honed her talents of playing guitar and piano, learned music theory as well as reading and writing music.   She returned to Los Angeles after graduation, but learned that touring could also provide a good escape from Los Angeles when she needed it.  ‘The best part of touring is getting out to realize how big the world is while making new connections with people you may never have met otherwise.  Being on the road naturally puts miles between you and everything at home, bringing with it a new freedom that allows you to break your everyday routine and just live in the moment.”

Mosher signed with Red Parlor Records in 2008, after winning the Los Angeles Music Award for best Female Singer/Songwriter of the Year in 2005.  Her first album, Everything you Need was produced by the great Guy Erez (Gipsy Kings, Ziggy Marley, Alan Parsons), and allowed Mosher to perform on the Late, Late Show with Craig Ferguson, as well as opening for, and singing with, Jackson Browne.  “These were childhood dreams come true for me.”   She followed these feats with a critically-acclaimed EP City of Clowns in 2010, leading to another Los Angeles Music Award for National Touring Act.

The title track was written about Mosher’s relationship with Los Angeles, which she describes as a love/hate sort of affair, as depicted in the song.  Mosher admits she has often thought of leaving Los Angeles, but it is her family that has kept her here.  “I’ve always felt sadness for this town.  I’ve watched all these people come and go, taking what they can, getting famous, getting rich, with little regard for the community and the people that call it home.  On the other hand the opportunities are endless here.”

In 2013, Mosher combined her talents with Kirsten Proffit and Jaime Wyatt to form CALICO the band.  Right off the bat, the group started touring and performed more than 200 shows, leading to their selection as the Los Angeles Music Awards’ National Touring Artist of the Year.  Wyatt left the band to pursue a solo career and was replaced by Aubrey Richmond, a world-class fiddler and the perfect complement to the band.   Their first album, Rancho California was released in September 2014 on their own California Country label, and won Americana Album of the year for the Los Angeles Music Awards, as well as winning LA Music Critic’s award for Best Country Album.  They have continued their hectic touring schedule, which included a stop at the 2014 Stagecoach Festival in Indio, California, where they were joined onstage by special Foo Fighter guests, Chris Shiflett & Rami Jaffee, as well as the 2015 Americana Music Festival in Nashville, Tennessee.

“We’re very connected to a community of artists and venues that are flying the Americana flag,” said Mosher, “deeply influenced by the old scenes from the Palomino days, the Bakersfield Country sound from Buck Owens carried on by Dwight Yoakam, the sound of Gram Parsons’ music, Joshua Tree and more.”  “We’re here to tell people that Americana music is very much alive,” said Proffit, “and California is a viable source for this style.  We’re passionate about carrying on the tradition by incorporating these influences, but through a new lens, and always with respect.”

But what inspires Mosher?  “Inspiration is an elusive thing to control . . . I often think thoughts that are the strongest push themselves to the forefront drowning out other thoughts forcing themselves to be expressed and written about in song. When an inspired song is coming it’s important to stop what you’re doing and allow it to arrive . . . the timelessness of a song trumps most any other activity that may happen in a day. Anything from spending time with a favorite guitar to a quiet setting can allow the space for inspiration to peak through.”  

Mosher’s music has been featured on the Emmy Award-winning Venice The Series, while the music of CALICO the band can be heard on  ABC’s hit series Nashville and NBC’s The Night Shift.

What are Mosher’s future plans?  “What keeps me going is the need to always create something new that is evolved beyond what I’ve been involved with in the past, be it striving to reach new levels of quality in recording or performing in venues that bring a new challenge.  We’re working on our second CALICO the band album which we hope to have completed by the end of the year and we plan to continue on with our touring adventures.”
You can learn more about this amazing artist and her band by checking out their websites and Facebook (solo and Calico) pages, following them on Twitter (solo and Calico) and subscribing to their YouTube (solo and Calico) channels.
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Women in Entertainment

Women in entertainment: Heather Jacks gives buskers a needed voice

Welcome to another beautiful Monday morning – time for another in our Women in Entertainment series.  This week the spotlight falls on Heather Jacks, author, journalist and music lover who is on a mission to share the magic of busking with the world.
Jacks grew up on an Indian reservation in southeastern Oregon until she was 15, when she was selected as the first ‘experimental exchange student’ to Australia with an organization called YFU (Youth for Understanding).  She spent ten and a half months with the program before returning to the States to attend the University of San Francisco.  She earned her Bachelor of Arts degree at USF before going to the University of California at Davis for an additional two years. 
Since the 1980’s, Jacks has worked in the music industry in various capacities, including radio, production, A&R, booking and most recently as a music journalist.  She recently won a Book of the Year Award for her multi-media project, The Noise Beneath the Apple®, which was inspired by her love for street music, busking and the people who make it.
Besides her love of music, she is a certified TV junkie, an unapologetic Twitter practitioner and a SF Giants loving fiend.   She travels extensively, but continues to hang her hat in San Francisco.
As we do with all our articles, we asked Jacks what inspires her.  In typical journalistic style, she expounded on the subject:  “As a writer, I spend a lot of time online, researching, interviewing, refining and sculpting words, creating cadence and turning good writing into better stories.  I find this journey inspirational.  Still I make time to step away from the blinking screen to breathe in life and the world around me; to re-charge and renew.  At the risk of sounding like I’m writing a love letter, my greatest inspiration comes from the City I call home, San Francisco.  I love walking her streets, wandering aimlessly into shops, undiscovered nooks and crannies, taking guided walking tours, trekking the Coastal Trail—Karl Fog, keeping me close company.  I love stopping at dive bars, where I can get a barrel-aged shot of whiskey AND a can of Olympia at the same time.  I love all the staircases and stunning views that rise up to greet you in the most unexpected place.  I love that we have a baseball team, that no matter how great they do, are always considered the underdog, and they persevere in style.  I love that everyone here is a little weird, and that San Francisco is pretty OK with that.  In the end, I am inspired simply, by doing what I love most.”
Jacks has recently launched a crowd funding campaign on Rocket Hub for one of her new projects, a multi-media project similar to the “Noise Beneath the Apple” project, which is dedicated to the buskers of San Francisco.  Check out the cool gifts you get for contributing to the project by clicking here.
We asked Jacks to expound on her future plans, and here’s what she had to say:
“Currently I am working on TWO separate Coffee Table Books, showcasing and preserving separate pieces of San Francisco history. My earlier book, The Noise Beneath the Apple®, which celebrates the spirit of busking, aka; street performance, and was set in New York City, won an independent Book of the Year Award.  I am replicating that book in the Bay Area, with 25 amazing street performers spanning from Oakland, Berkeley, Santa Cruz, Napa Valley, and of course, San Francisco.  The Bay Area edition, like the NYC version, will include film, music, stories and photos.
The second project is about The San Francisco Sisters of Perpetual Indulgence.  The Sisters are a leading order of queer nuns, who began here in 1979 and are now a worldwide charity organization. They continue to devote themselves to community service, promoting human rights and outreach to those on the edges of society. They are an integral, (sometimes misunderstood), part of San Francisco culture. 
These two projects, along with my line of Vintage Vinyl Record Bags, (www.rockarecord.com), will definitely keep me very busy for the next few years!”
Street performers definitely have a friend in Jacks and the public truly benefits from this friendship, as we are exposed to amazing artists that we may not have known were out there.  Many thanks to Jacks for providing this service.  We wish her well in her campaign and look forward to seeing the finished project.
You can keep up with this amazing music supporter by checking out her Facebook page, following her on Twitter, Instagram, and Google Plus, and by subscribing to her YouTube channel.