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Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Women in Entertainment

HFF18 day 5 – see it or skip it

We got a slow start yesterday after closing down Three Clubs with the Cherries after a raucous performance of Doctor Nympho vs. The Sex Zombies.  It was great spending time with Sarah Haworth, Schoen Hodges, Alli Miller, Michael Shaw Fisher, Brin Hamblin, Kelly Stevenson and Cory Robinson, as well as the amazing Sarah Chaney, who had been in the cast of Doomsday Cabaret.

Before you know it, it was time to head back for another great night of Fringing, and we had planned to see five shows.  While reviewing our schedule, it occurred to us that we had neglected to schedule one of the shows we really wanted to see, so we had to make some last minute changes to the schedule, which made for a much better night.  Our first stop remained the same, and our evening began at The Broadwater Studio.

TITLE OF SHOWBalls’On

VENUE:  The Broadwater Studio

REVIEW:   Katt Balsan is half Russian and Iranian on her mother’s side and French on her father’s side, which gave her an interesting look – exotic muscles.  While she looks like a bodybuilder, she explained that it was all genetics.  Her show took us from her humble roots in France to her current home in Los Angeles, as told through 25 very interesting characters, including several of the Fates.  It was a most original and creative way to explain her life, and the audience loved it.  We were honored to be joined at the show by the Queen of the Solo Show, Jessica Lynn Johnson, as well as one of the premier finds of this year’s Fringe, Lanessa Long.  The packed venue gave Balsan all the energy she needed to turn in a wonderful performance, making us very glad we had chosen to attend her show.  Balsan herself is a ball of energy, and that energy washed over the audience like a tidal wave, completing the circle.  She dedicated the show to her director, the late, great Gary Austin, the founder and original director of The Groundlings, and we are sure he was pleased as well.

RECOMMENDATION:  If you need a quick pick-me-up, then we highly recommend you fit this show into your schedule.  You can still catch her final performance on June 22 at 5 p.m.  You can purchase tickets here.

TITLE OF SHOWGlitch

VENUE:  The Broadwater Studio

REVIEW:   We were unprepared for this intense show about mass shootings in our schools.  The premise and story were timely, in light of the outrage over recent occurrences, but the cast seemed likewise unprepared to turn that outrage into a memorable show that would spark change.  The premise was there – a reporter interviewing a young man convicted of killing kids and teachers at his former high school, but they delivered nothing more than a clichéd attempt at portraying these characters.  We were joined at the show by Michael Shaw Fisher, and had the chance to discuss the show afterward.  We both agreed that it would have been better if the reporter had started out neutral and then slowly emerged as outraged, while the cold, calculating criminal needed to have more “mood swings” as he attempted to explain how everything came to pass.  Like The Dangerous Cures of Dr. B, this show left its audience in a daze, as they ran out of the theater looking for escape from the reality of the show’s material.

RECOMMENDATION:  The show could be a powerful tool, but it seriously needs some attention to detail.  It ran over and was too long.  If they fix those problems, then it would be worthwhile.  In the meantime, you should probably skip it.

TITLE OF SHOWThe Women of Lockerbie

VENUE:  Studio/Stage

REVIEW:   After the previous show, we were in need of some beauty and magic, and we found it in spades in this glorious production.  Wonderfully directed by Jim Blanchette, the story is about closure, and the continued hope that good will overcome evil.  It is set in the hills of Lockerbie, Scotland, where one of the greatest disasters in aviation occurred as 270 souls lost their lives in the terrorist explosion of Pan Am Flight 103.  Leah Verrill, who portrayed the distraught mother, Maddie Livingston, led an amazing cast that included Alan Heitz as her husband Bill, Lisa K. Wyatt as the stalwart Olive Allison, Lize Fenning and Liesl Jackson as her two friends, Ed Ackerman as the American bureaucrat George Jones and Eloise Coopersmith as the well-meaning custodian Hattie.  The show is presented as a Greek tragedy, and very skillfully designed and executed.  It brought us, and we’re sure other audience members, to tears, and is the best thing we have seen at Fringe thus far, truly worthy of the Top of the Fringe award.

RECOMMENDATION:  You simply MUST see this one.  Do whatever it takes to secure tickets to one of the remaining shows on June 17 at 9:30 p.m. or June 20 at 9 p.m.  You can purchase your tickets here.

TITLE OF SHOWMet Again

VENUE:  Studio/Stage

REVIEW:   Met Again is the latest in a string of hits that Theater Unleashed has mounted at Fringe.  This show had everything a great Fringe show needs – amazing acting, a compelling story, and a stellar audience, which included my friend and fellow critic Tracey Paleo of Gia on the Move. Julia Plostnieks and Michael Lutheran turned in Tony Award worthy performances as the central characters, and were supported by the likewise stellar acting of Megan Duquette and Graydon Schlichter.  This play showed the power of love as it told the story of a couple that went through a lot of ups and downs during their journey through life and death.  It was beautiful, bittersweet, and gave us hope that we could all find a love like these two shared.  Plostnieks is one of the most talented actresses to ever grace the stage at Fringe, and has consistently turned in amazing performances, especially during [title of show].  She surpassed her previous performances with this one, and is worthy of Best Actress, were such an award given at Fringe.  The pairing of this show with Women of Lockerbie was genius, and gave us a beautiful feeling to end the night.

RECOMMENDATION:  Don’t even think about it – this one is a MUST SEE.  Make your plans NOW to attend one of their remaining performances on June 20 at 7:30 p.m. and June 23 at 5 p.m.  Grab your tickets TODAY by clicking here.

Our evening didn’t end there, as we headed back over to Three Clubs to close out the night with the rollicking fun of Cherryoke.  What a fun time, and the hostess was none other than Taylor Baker of Cherry Poppins.  What a fun time was had by all, with amazing performances by such Fringe luminaries as Michael Shaw Fisher, David Haverty, Victoria Watson, and Reagan Osborne, among others.

We’ll be packing in nine shows on Saturday and another five on Sunday, so we won’t be posting any reviews until Monday.  Have a wonderful Father’s Day weekend.  Hope to see you out and about the Fringe.

 

 

Categories
Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Women in Entertainment

HFF18 day 3 – see it or skip it (part 2)

You can catch part 1 here.

We were fortunate again to have the honor of Rasika Mathur joining us for our final two shows of the day.  If you remember, The Craftlesque was #2 on our list of most anticipated shows, so we were extremely excited to get to see it, and have the chance to interact with one of the best companies at the Fringe – Cherry Poppins Productions.

TITLE OF SHOWThe Craftlesque

VENUE:  Three Clubs

REVIEW:   Unlike the last show we reviewed, we knew perfectly well what to expect from this show – complete and utter awesomeness.  The Cherries did not disappoint.  Even though we had long forgotten the backstory of the movie, they use enough of the storyline to help us remember, but the true beauty of a Cherry Poppins show is the triple threats that make up their cast.  Not only are these ladies beautiful, but they can dance, sing and act with the best of them.

The coven was played by Shannon Glasgow (New Girl), Heath Butler (Psycho Girl), Cassandra Nuss (Burnt Girl) and Markesha Chatfield (Ethnic Girl).  The supporting cast was led by the unforgettable Alli Miller (Water Element, Christa, Bitch Girl), as well as Lauren Avon (Earth Element), Madeleine Heil (Fire Element) and Sabrina Moisoyev (Air Element).

it was amazingly directed by Sarah Haworth, choreographed by Brin Hamblin, Sarah Wines, Sarah Haworth and Ali Miller, and costumed by Kelly Stevenson.  Once again the Cherries have outdone themselves and given the Fringe another memorable performance.

RECOMMENDATION:  Duh, go see it!!!  Remaining shows include June 15 at 11 p.m., June 20 at 8 p.m. and June 22 at 11 p.m.  Please be advised the Cherries are known to SELL OUT, so grab your tickets while you still can by clicking here.

TITLE OF SHOWNobody’s Really Helped Me

VENUE:  The Broadwater Studio

REVIEW:   We met Lanessa Long at our first HFF18 show on Monday night, and instantly liked this young lady.  When she told us she also had a Fringe show, we knew we had to check it out, and what a treat it was.  Long recently graduated from art school, and is also a singer-songwriter.  She’s also 22, and immersed in all the angst of having to go out into the world and make a living, thus forming the basis for her show.

Long is a natural comedienne.  Her show was essentially a stand up comedy routine which included music, reminding us of the great Judy Tenuta.  She had the audience in stitches throughout her show, and definitely gave them something to think about and to enjoy.  Her stories were heartfelt and so relatable, and her musical accompaniment was a joy to behold.  We think Long has a definite future in both theatre and music, and look forward to seeing what the future holds for her.

RECOMMENDATION.  Definitely see this one, if you love music and love to laugh.  Her remaining shows are June 16 at 7 p.m. and June 23 at 1:30 p.m.  You can purchase your tickets by clicking here.