Tag: Larry Cornwall Award for Musical Excellence

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Awards Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Theatre

HFF19 day 17 – see it or skip it

I only took in three shows on Saturday, out of the seven I had originally planned, giving me time to spend some time talking to friends at the Plunge and actually eat a sit-down meal before hanging with my bestie Kimleigh Smith for a while.  Before we get started on those reviews, I’m sure you’re all anxious to know who won the Larry Cornwall Award for Musical Excellence, so here we go:

SOLO SHOW – Blackboxing

ENSEMBLE SHOW – An yet Another Evening with the Sistahs

Both shows have been extended, and we strongly recommend them both, so grab your tickets on their individual Fringe project pages.

TITLE OF SHOW:  Olivia Wilde Does not Survive the Apocalypse

VENUE:  The Complex (Ruby Stage)

REVIEW:  Another of the Matts, this time Matt Robinson, has come through with an amazing addition to HFF19.  This show is a masterpiece and his hand-selected cast are comedic geniuses in pulling out all the stops to make this the funniest damn show of the Fringe.  Featuring Sean-Michael Bowles as the “hack director” and Emilie Martz as the “snooty actress,” the amazing cast also included Francesca Manzi as Rodeo, Chelsea Langenderfer as Chandler, Everett Dailey as Marcus, Chris Bunyi as Crenshaw, Asia Pitts as Abbot Kinney and Ashley Frances Hoffman as Dr. Kelli Hu  The show was directed by Robby DeVillez, and he was brilliant.  My sides hurt so much from laughing, especially at all the inside jokes.  We will be quoting lines from this show for a long time.

RECOMMENDATION:  Although this was their last performance, they have been granted an extension, so we advise you to be first in line when tickets become available.

TITLE OF SHOW:  Transference

VENUE:  The Broadwater (Black Box)

REVIEW:  Certain Fringe actors have earned their reputation by consistently delivering quality work.  Two of those particular performers are Esther Mira and Lisa K. Wyatt.  They have brought this show to life which was written and directed by the equally brilliant Jim Blanchette. In what might be one of the most challenging roles of their lives, they play a therapist and her client, who is unintentionally “made aware” of her past lives during the therapy.  I will not give away the great story, but suffice it to say that this one is definitely worth your time and money, making it one of the best dramas of HFF19.

RECOMMENDATION:  This was their last performance, but if they do an extension, we strongly recommend that you attend.

TITLE OF SHOW:  Hell’s Kitty

VENUE:  The Broadwater (Main Stage)

REVIEW:  After hanging around the Plunge for a bit, Kimleigh showed up from a long day of work and we shared dinner from the food truck before heading in to the movie.  I had previously met Nicholas Tana at Starbucks and he invited me to see this show because of my history with horror films.  He had also invited Kimleigh, so we thought it would be a great chance to catch a memorable show.  It was that, although not the type of memories you necessarily want to remember.  The show was very campy and dark, and will probably be enjoyed by a much younger demographic.  It also seemed like the cast was not quite up to the challenge, as their were serious vocal issues.  The one shinning star was the over-the-top performance of Maeve Thompson Osgood as Lisa Graves.  Although not a total bomb, it could use some additional rehearsal time and maybe some recasting before going forward.  i truly see the potential in the show, but felt it was not nearly as strong as NMI‘s other entry, The Bully Problem.

RECOMMENDATION:  This was their last performance.

Categories
Awards Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Theatre

HFF19 Day 16 – see it or skip it

Yesterday was a very bad day for me personally, and because of that I will be unable to attend this year’s Fringe Awards Show and present the Larry Cornwall Award for Musical Excellence.  The past two years have gone to solo shows, and this year would have been different. Since we can’t do it live and are no longer limited to just one award, we’ll do it online, and we are including both solo show and ensemble categories.   Every show that we checked out for this award was marvelous (and we considered more than 30), but we  felt these ten shows were especially amazing in showing the power of music within the context of a play.  We’ll announce the winners tomorrow, but here are the nominations.

SOLO SHOW

Blackboxing

Hollywoodn’t

Keith Moon:  The Real Me

Drought

Jessie’s Messy Mind

ENSEMBLE SHOW

Silent Joy

An Yet Another Evening with the Sistahs

The Last Croissant

Come Back!

Meg Jo Beth Amy & Louisa

Since I will not be at the Awards Show or Closing Party, I wanted to say my goodbyes and thank each and every participant that I met for your kindness and great work.  Hopefully I’ll see you around the Fringe today or tomorrow, but just in case, thanks for making my first year as a participant a memorable experience, even though it was cut short.  Special thanks to Jessica Lynn Johnson for helping me develop my story and directing my show; Greg and Jenn Crafts, Erin Moore and Michael Lutheran for taking care of me at Studio/Stage; Lara Repko, Patrick Daly and Rasika Mathur for being my viewing buddies, and all my fringeships past and present.  Your support over the years, and especially yesterday, are what drew me to and kept me involved with Fringe.  May each of you be blessed in every endeavor.  Here is my sole review from yesterday.

TITLE OF SHOW:  Red, White, Black & Blue

VENUE:  The Broadwater (Studio)

REVIEW:  At Matt Martin‘s insistence, I witnessed a powerful hour of solo shows featuring Adam Meredith in Drowning (written by Leilani Squire) and Blaine Vedros in Black & Blue (written by Ron Fromstein.  This was powerful theater about the effect hope has in keeping us from making bad decisions.  Both shows were skillfully directed by Martin, and gave us plenty of food for thought.  Because of my own personal experiences with the military and domestic violence, these stories left a lasting impression on me.

RECOMMENDATION:  This was their last performance, but if they do an extension, we strongly recommend that you attend.

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Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it

HFF19 day 10 (part 1) – see it or skip it

What an incredible weekend of shows at HFF19!  We took in 13 of them, as well as performing our show for the fourth time.  We have now viewed 61 shows, of which 24 were being considered for the Larry Cornwall Award for Musical Excellence.  We’ll be announcing this year’s winner at the Awards Show on Sunday at the Ricardo Montalban Theater.  Show starts at 6:30 p.m.  In the meantime, here is part 1 of our reviews for Saturday’s shows.

TITLE OF SHOW:  45mg

VENUE:  The Broadwater (Black Box)

REVIEW:  Who says you can’t tell a great story in less than 30 minutes?  I would have seen this show no matter what because one of earliest fringeships, David Haverty, was involved.  He turned out to be just the tip of the iceberg when it came to the awesomeness of this production.  The show was written by Ian Kaye and directed by Nikki Muller and Jason Rosario, all of whom also starred in the show, with an amazing cameo from Kelly Pierre.  This one is pure Fringe gold, and one of the more physical shows at HFF19.  It is also one of the best shows of the Fringe.

RECOMMENDATION:  Don’t miss this amazing show.  There is only one remaining performance on June 30 at 4:30 p.m.  Tickets are available on their Fringe project page.

TITLE OF SHOW:  (IM) PERFEKT

VENUE:  The Lounge Theatres

REVIEW:  I almost missed this masterpiece, but was able to juggle my schedule to include it, and boy am I glad I did.  I think this is the best solo show that I’m reviewed during HFF19, and there have been some great ones, including Raised by Wolves, Hollywoodn’t, Leaving Prince Charming and Corina.  Jannica Olin is a gifted performer with such a powerful and personal story that the audience feels every emotion that she does.  It was an honor to learn about the life-changing event that happened to her, and how she was able to turn it all around.  Sweden’s loss is our gain, and I couldn’t be more proud of her, and the remarkable work that she and director Jessica Lynn Johnson put into this show.

RECOMMENDATION:  Don’t miss this amazing show.  There is only one remaining performance on June 28 at 8 p.m.  Tickets are available on her Fringe project page.

TITLE OF SHOW:  Dandy Darkly’s All Aboard

VENUE:  Asylum Studio C

REVIEW:  Pure storytellers are a rare breed, and Dandy Darkly is one of the best, reminiscent of one of my favorites from the Renaissance Faire, the late Mark Lewis.  He has won countless awards from fringes worldwide, and he showed why during this non-stop southern gothic tale.  He controlled the audience from start to finish, keeping them engaged and entranced in every word he spoke.  This show was truly a treat.

RECOMMENDATION:  Don’t miss this amazing show.  Remaining performances are on June 26 at 10 p.m. and June 29 at 10:30 p.m.  Tickets are available on his Fringe project page.

 

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Hollywood Fringe Festival Theatre

Most anticipated shows at HFF19

It’s time once again for our annual list of the shows we are most anticipating at the 10th annual Hollywood Fringe Festival.  Unlike past years, not only are we reviewing shows and screening shows for our Larry Cornwall Award for Musical Excellence, but I am also doing my first solo show.  Needless to say, this is going to be a very interesting Fringe.  Here is our list, in alphabetical order.

Come on Down (The Broadwater) – This one’s directed and written by Jeff Scot Carey, features Emily Clark, CJ Merriman AND Victor Isaac, and was part of Serial Killers at Sacred Fools – what more reasons do we need?  This one is going to be epic.

Crabbe & Goyle are Dead (Studio/Stage) – The Harry Potter legend continues at Fringe with this latest creation from Kitty Keim.  That’s reason enough to see it.

Hollywoodn’t (The Lounge) – This one tells the story of the Hollywood scene before women were allowed to speak up and say no.  It also features writer, performer and lyricist Lisa Verlo.  It’s also part of the amazing Soaring Solo community and is directed by Jessica Lynn Johnson.  Can’t wait for this one.

Klingon Tamburlaine (The Complex) – I am a huge Star Trek fan, and have always love the Klingons.  This one sounds like a sure-fire hit, and the dream show for every nerd at Fringe.

Pockets (The Broadwater) – If ever there was a “sure thing” at Fringe, it would be anything put on by Robot Teammate.  They have brought us the incredible Turbulence and Thug Tunnel and their creativity and musical abilities are among the best we’ve ever seen at Fringe.

Tattered Capes (Studio/Stage) – We think this may well be the best thing Theatre Unleashed has ever attempted.  Written by Greg Crafts and directed by Corey Lynn Howe, this show looks to take TU into uncharted territory, and we have every confidence it will be amazing.

The Duchess & the Stripper (The Lounge) – Every year we look for a historical play, and this one is our selection for HFF19.  It tells the story of the Duchess of Windsor and Blaze Starr, one of the most famous strippers of all time.  It’s also highly recommended by the Cherry Poppins crew.

The Mayor’s Debate of Tranquility, Nebraska (The Complex) – we have always been a huge fan of Jim Hanna, and his latest projects looks to be as close as we will come to an actual intelligent political discussion until next year.  We also love his marketing campaign.

Transference (The Broadwater) – This one features a pair of our favorite actresses in Esther Mira and Lisa K. Wyatt and is written and directed by the incomparable Jim Blanchette.  That adds up to an amazing time at the theater.

Wigfield (The Hudson) – Last year we almost missed out on the stunning Pamela Eberhardt show The Runaway Clone.  This year we’re jumping on the bandwagon and making her latest show required viewing.  Based on the amazing marketing campaign she has run, this one looks to be even better than last year’s Clone.

And there you have it.  We can’t wait for Fringe to begin, and already have 32 shows on our schedule, including all  of the above.  We’ll be publishing daily reviews, so keep it here for our See it or Skip it articles.

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Hollywood Fringe Festival Theatre

Ten most anticipated shows at HFF18

We can hardly believe that it’s time again to head down to Los Angeles for the ninth annual Hollywood Fringe Festival.  Out of the 380 available shows, we have chosen 51 to attend, including about 15 we are screening for our annual Larry Cornwall Award for Musical Excellence.  Here are the ten shows we are most excited about.  We are including links to their pages as well as the name of the venue.

10.  Earworm (McCadden Theatre) – We love the premise of this show and think it could be fun.  They are also up for the Larry Cornwall Award.

9.  Sex and the Musical (Three Clubs).  Laura Wiley brought us the incredibly fun Buffy kills Edward last year and we can’t wait to see what she does with this one, a prequel to the beloved Sex and the City show from HBO.

8,  With my Eyes Shut (Studio/Stage).  One of our favorite actresses from last year was Esther Mira.  She’s back with a new show, and it’s also being considered for the Larry Cornwall Award.

7.  Wild at Hart (The Lounge).  Solo shows are always a big hit for us at Fringe, and no one directs them better than Jessica Lynn Johnson.  This one should be great and it’s up for a Larry Cornwall Award as well.

6.  Sam Shaber:  Lie, Death & Duran Duran (The Complex).  Who doesn’t love the music of Duran Duran?  We are definitely intrigued by this one and it’s also being considered for the Larry Cornwall Award.

5.  Met Again (Studio/Stage).  A tender love story, and it’s a Theatre Unleashed show.  What more do we need to say?

4.  Stripped (The Broadwater).  Fringe gives us the chance to check out the taboo, and to see it from different viewpoints.  This one should be interesting to view, and it’s up for a Larry Cornwall Award as well.

3.  A Very Die Hard Christmas (Studio/Stage).  Living in Montana, we have missed this holiday show from Theatre Unleashed for the past three years.  We are true Die Hard fans and can’t wait to see this production.  Besides, who doesn’t want to see Jim Martyka as a villain?  This one is also being considered for the Larry Cornwall Award.

2.  Doctor Nympho vs. The Sex Zombies (Three Clubs).  Three words sum up this one – Michael Shaw Fisher!  This is the first Orgasmico musical since 2013’s Exorcistic, and he’s doing it in conjunction with one of the hottest companies at Fringe – Cherry Poppins.  What can go wrong?

1,  The Craftlesque (Three Clubs).  This is another show that we have missed being in Montana.  Alli Miller and Sarah Haworth Hodges and their Cherry Poppins ladies are sure to make this one great.

We’ll see you in Los Angeles Monday night.  This is gonna be epic!