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Reviews See it or Skip it Theatre Women in Entertainment

Cherry Poppins and Celebration Theatre deliver a gem

We have been covering the Hollywood Fringe Festival every year since it was started in 2010, with the exception of 2015.  When we returned to the Fringe in 2016, we discovered Cherry Poppins Productions, an amazing troupe of dancers that were so much more than traditional burlesque.  Every one of them could sing, act, and dance, but they were also amazing people both on and off stage.  We quickly became not only fans of their inspiring and truly entertaining shows, but also friends with most of them, including their brilliant co-founders Alli Miller and Sarah Haworth, as well as their “other halves,” Michael Shaw Fisher and Schoen Hodges.  We had been good friends with Fisher since 2012, based on his brilliant work with Orgasmico Theatre Co (Doomsday Cabaret, Exorcistic, the Werewolves of Hollywood Boulevard).  When he joined forces in 2017 with Miller, Haworth and Hodges on the award-winning Shakeslesque:  To Thine own Cherry be True, we knew that this would turn into the greatest entertainment merger of all time.

During HFF18, we witnessed the mastery of a new rock musical from Fisher called Doctor Nympho vs. the Sex Zombies, which combined the amazing burlesque of the Cherries with the brilliant songwriting chops of Fisher.  It was our most anticipated show of the Festival, and we loved reviewing it.  Imagine our joy to arrive for HFF19 and find out that they were doing the show AGAIN before the festival at Celebration Theatre.  We simply knew that we had to see it again, and see what changes had been made to stage it in a bigger and more traditional space.

Celebration moved to The Lex a few years ago, and we had not had the chance to check out their new digs.  We love what they have done with the space, and felt it the perfect location for the return of Doctor Nympho.

For the most part, this new version included the same cast as last year’s Fringe show, with a few notable differences.  Madeline Heil replaced Rebecca Reaney as Dr. Shatz and brought an entirely new sexiness to the role that only a Ginger can.  Likewise, Natalie Masini took on the role of Fisher’s assistant, Stacy, in place of Shannon Glascow, and truly nailed it.  Everjohn Feliciano joined the cast to round out the Zombettes, and was the perfect addition to originals Haworth, Lauren Avon, Amber Bracken, Meredith Lim, Reagan Osborne and Cory Robinson.  Miller reprised her role as Dr. Nympho with Fisher as her husband, and Kim Dalton and Kristyn Evelyn as their children.  Jeff Sumner was outstanding in his return as Jerry, giving the audience a Tony-worthy performance, while Hodges as Adam, Sarah Wines as Eve, and Brin Hamblin as Virus rounded out the cast, providing some of the finest dancing seen on any LA stage.  In fact, Hamblin is one virus we wouldn’t mind catching.

Of course, none of the brilliant stage work would be possible without Fisher’s amazing book, music and lyric, Haworth’s direction  or Miller and Hamblin’s choreography.  Music Director Sandy Chao Wang and Vocal Director Michael Teoli also contributed heavily to the success of the show.

Let loose and enjoy a thrilling night at the theater with the Cherries and Orgasmico.  This one is worthy of multiple viewings, and never gets old.  Don’t miss your chance to see it again or for the first time.

The show runs through May 26, with performances on May 11, 17, 18, 24 and 25 at 8 p.m. and May 12, 19 and 26 at 7 p.m. at Celebration Theatre (6760 Lexington Avenue).  Tickets are available through this link.  Come get infected.

You can also purchase the original cast recording of the soundtrack for only $10, and relive the music over and over again.

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Fringe Shows Hollywood Fringe Festival Reviews See it or Skip it Women in Entertainment

HFF18 day 4 – see it or skip it (part 2)

Our final show for Thursday was our most anticipated one at this year’s Fringe – the marriage of Orgasmico Theatre Co and Cherry Poppins.  Here’s the low down.

TITLE OF SHOW Doctor Nympho vs. The Sex Zombies

VENUE:  Three Clubs

REVIEW:   When we found out that Michael Shaw Fisher was writing a rock musical for this year’s Fringe, we were excited, and when we realized it would be done by the Cherry Poppins crew, we were over the moon.  The five year wait (since 2013’s Exorcistic) was worth it, as this show is a masterpiece from start to finish.

We still remember the way we felt when we first saw Doomsday Cabaret, and the feeling was back on the first note of Doctor Nympho.  Director Sarah Haworth brought out every nuance of Fisher’s amazing music and book, and the over-packed venue responded enthusiastically.

The story line about a virus that turns people into sex zombies was wonderfully laid out and brought to reality by the amazing members of Cherry Poppins, including the central cast of Alli Miller as Dr. Nympho, Fisher as her husband, with Kim Dalton and Kristyn Evelyn as their children.  Haworth led the sex zombies, joined by Amber Braken, Reagan Osborne, Cory Robinson, Meredith Lim and Lauren Avon.  They were ably supported by Jeff Sumner as Jerry, Rebecca Reaney as Dr. Shatz, Shannon Glasgow as Stacy, Schoen Hodges as Adam and Sarah Wines as Eve, with special dance appearances by Taylor Baker as Poet and Brin Hamblin as Virus.

Of course, what would a rock musical be without a killer band, and this one was truly amazing, led by Sandy Chao Wong.  She was joined by Krishnan Swamiathan on bass, Ludvig Brathan and Kenny Echizen on guitar and Tim McIntyre and Dennis Nilsson on drums.

Very special kudos to the choreography team of Hamblin, Reaney, Haworth and Miller, who somehow managed to keep this huge cast dancing and performing on the venue’s postage stamp sized stage, without any major incidents.  It was an incredibly thing of beauty to watch this amazing cast dance, sing and act, and we left the venue feeling just as good as we did the first (and the 12th) time we saw Doomsday Cabaret.

RECOMMENDATION:  If you only see one Fringe show, then this had better be it.  But be forewarned – it will SELL OUT, so make our plans to attend the remaining performances on June 16 at 5 p.m., June 21 at 7 p.m. and June 23 at 11 p.m.  You can purchase tickets here.